Hacksaw Ridge (2016) film review

Year: 2016
Running Time: 138 minutes
Director: Mel Gibson
Writers: Robert Schenkkan and Andrew Knight
Cast: Andrew Garfield, Teresa Palmer, Hugo Weaving, Rachel Griffiths, Vince Vaughn, Sam Worthington, Luke Bracey, Luke Pegler

Hackshaw Ridge is now showing in cinemas everywhere and is distributed in Australia by Icon Film Distribution.

Mel Gibson's Hacksaw Ridge is frightfully graphic, violent and confronting, but ultimately life-changing in the most beautiful of ways and an absolute triumph in filmmaking.

Hacksaw Ridge is the story of the unlikely American World War II hero, medic Desmond Doss (brilliantly poratrayed by Andrew Garfield). Doss was a man, who because of his strong religious beliefs, refused to carry firearms during the war much to the disgrace of his superiors and fellow soldiers. However, despite being unarmed he was able to single-handedly save 75 men during the Battle of Okinawa and become the first Conscientious Objector to be awarded the Medal of Honour.

The story of Desmond Doss is truly incredible in itself, but the screenplay written by Robert Schenkken and Andrew Knight along with Andrew Garfield's inspired performance give greater depth, understanding and respect to the character and his heroics. Doss was not a traditional war hero by any means in that he would not go into war with any type of weapon because as a Seventh Day Adventist he believed that thou shalt not kill. It is a beautiful thing how strong in his faith Doss was and how his faith was what gave him the strength to carry all the men he saved to safety on his own. The understanding of his character and his beliefs are strengthened for us in the way the film shows us his past and the events leading up to his enlistment. The superb character development allows one to feel close to and empathize with Doss and whether you agree with his beliefs or not, you still understand and respect them which is a thought that is more than relevant in everyday life.

Andrew Garfield completely shines as Doss and is so far the role of his career. He gives a performance which is wonderfully restrained in the right parts and is incredibly moving and intense when it also should be. He completely embodies the role of Doss and makes him likable, relatable and into the hero who always has the audience on his side wanting to cheer for him.

While it is loving towards the character of Desmond Doss, Hacksaw Ridge is still an astonishingly brutal, but realistic piece of war cinema. The Battle of Okinawa is terrifying in every sense of the word as it is accompanied by a sense of dread and suspense formed by the horrifyingly graphic visuals and the implication of sudden and random bloody death. It requires a great amount of will power not to look away at all throughout the final third of the film as it is so incredibly confronting and graphic. It is hard to call any of these visuals anything pleasant, but the cinematography by Simon Duggan is truly exquisite. From the opening scene, the film is beautifully shot and entrancing with it's slow motion shots and spectacular war-torn landscapes.

Despite it's hard edge, Hacksaw Ridge is also rather romantic thanks to the beautiful chemistry between Garfield and Teresa Palmer, who plays Doss' wife, Dorothea. The two resonate whenever they are on screen together and it is the type of old-fashioned love many people only dream about now. Hacksaw Ridge is also a career high for Palmer, as it is to date the best performance of her career. Just like Garfield, she is likable and incredibly sweet and sensitive. Hugo Weaving and Rachel Griffiths, who play Tom and Bertha Doss also give tremendous performances.

Hacksaw Ridge is the best war film to have been released in years. It is gritty, unforgiving and relentless, but at the same time inspirational, moving and entrancing.

9/10

Captain America: The First Avenger

Captain America: The First Avenger

Year: 2011

Director: Joe Johnston

Cast: Chris Evans, Hugo Weaving, Tommy Lee Jones, Hayley Atwell, Stanley Tucci, Dominic Cooper

In My Own Words

                I wanted to like Captain America: The First Avenger. I really did. It was one of the films this blockbuster season that I had been really looking forward to. No one can accuse me of going into the film convinced that I was going to see something I dislike. I’m not going to say what I thought about the movie in detail here as that is what my review is for, but you can already guess what I thought of it without me saying any extra. It does not detract from my excitement about The Avengers though! I can’t help but think that it really has to be a really bad-ass villain to have any sort of battle with the five superhero’s they will be going up against. The whole concept of the Marvel superheroes joining forces in this cinematic spectacle is definitely intriguing. Who else is excited?

                There was another let down for me. I was excited about seeing British actor Natalie Dormer in a rare film appearance. I am a big fan of The Tudors in which Dormer played the ill-fated Queen of England and second wife of Henry VIII, Anne Boleyn.  Dormer played the sassy Private Lorraine in Captain America: The First Avenger who takes a strong liking to Steve. Unfortunate for me, she was in all of two scenes and on screen for no more than three minutes. Oh well, I look forward to seeing her next in W.E. where she will play Elizabeth Bowes-Lyon, the Queen Mother.

These are my own words and here is my review.

Review

                Captain America: The First Avenger, just to make you all confused, is the last Marvel superhero film before the superhero reunion film, The Avengers. Captain America is the First Avenger as, unlike other superhero films released in the past few years, his story belongs in the war torn 1940’s. So the big difference between this film and other action films is that it would be out of place to have amazing and spectacular special effects which we are now so used to. The action not completely absent or dull, but in order to take a step back in something in a film, something else is to be enhanced in order for it to be successful. This is where Captain America: The First Avenger completely lacks.  The action and special effects are toned down for an action film, but nothing else stands up in its place.

                Steve Rogers (Chris Evans) has always been discriminated against because of his height and size, but this has never stopped him standing up for something which he has believed in. He watches everyone around him go off to war while he has to wait at home. He is then approached by Dr. Abraham Erskine (Stanley Tucci) who offers him a chance to join in the army and take part in a project he is involved in. This project is the end of Steve’s woes and the beginning of Captain America. Steve soon finds out that he is the one who can save America from the evil Johann Schmitt (Hugo Weaving). He is the hero America has been waiting for.

                Captain America: The First Avenger had HUGE potential. As said previously, it wasn’t appropriate for a film like this to have amazing action sequences with special effects that will blow your mind and amazing high tech machinery as it is set in the 1940’s. So this should have been huge opportunity to bring a great war story into the film and make the film into something we haven’t seen in years. But alas, it wasn’t meant to be. There is a story there, just not a strong script to support it and make it engrossing. It is actually even quite boring at times when there is no action happening. It is fair enough normally that a superhero movie doesn’t have a strong story as that isn’t normally the focal point of an action film, but tone down the action and you need to turn something else up.

                One of the more entertaining moments in the film is when Steve becomes Captain America and instead of joining the men in the war fields (which you barely see anything of anyway), he becomes a comic book hero who goes on tour and features in motion pictures. It is a fun part of the film and is reminiscent of how Captain America really was perceived in the 1940’s.

                The special effects which the film does employ are also subject to some criticism. The computer generated and enhanced images look computer generated. Before Steve becomes Captain America, more often than not the visions of the character look like Chris Evans head pasted on a body, not like a smaller version of Evans as a whole. Visions of Evans running through the streets of Brooklyn just after his transformation also look computer generated. Even if the movie is set in the 1940’s, it doesn’t mean that you should take any less pride in making the special effects as realistic as possible.

                The acting is really little more than just reading their lines for the majority of the cast. Chris Evans does do a good job at leading the ensemble. Although it does feel as though he tries more when he is the smaller Steve Rogers, which would make sense because it is more just an action role once he becomes Captain America.  He was the perfect choice for the role as he is just likable in both of his personas and comes across as just a good guy.

                Hugo Weaving is a perfect villain as Johann Schmitt. He is quite terrifying at times, even before he shows his true self as Red Skull. Stanley Tucci is a treat to watch and is actually quite a fun character. Hayley Atwell does well in her role as Steve’s trusted ally and love interest, Peggy Carter. She has one in particular great, emotionally charged scene. However, we have no idea who her character is or where she has come from. Before he is transformed, Steve says “I guess I just don't why you'd wanna join the army if you're a beautiful dame. ...” Peggy doesn’t give an answer and leaves him guessing as well as us.

                As a whole, Captain America: The First Avenger isn’t the worst film of the year by all means, although it had so much potential and it could have been so much more than what it was. It is still entertaining enough and gives you your superhero fix for this half of the year.

5/10

The Wolfman

The Wolfman
Year: 2010
Director: Joe Johnston
Cast: Benicio Del Toro, Anthony Hopkins, Emily Blunt, Hugo Weaving

Can an unoriginal film ever be classified as a great film? That is the question posed with “The Wolfman”. It can definitely be a good film, but nothing that is worthy of the highest praise. Of course, there are always exceptions, but “The Wolfman” does not feel as though it is. However, it is by no means a bad film. Joe Johnston does a great job at making a well made film out of an idea that has been done over and over in the past 100 years of film. In this 2010 version of “The Wolfman” (there have been numerous films relating the werewolves and wolf men over the years, too many to list here), Lawrence Talbot (Benicio del Toro) returns to his childhood town of Blackmoor in England to investigate the death of his brother. He is confronted with his father (Anthony Hopkins), who had a large hand in contributing to his disturbing childhood and also some disturbing revelations about himself and his family. There is no guessing what those revelations are.

On the whole, “The Wolfman” is very well made. The recreation of turn of the century England is extremely impressive and makes for a perfect period piece. The visuals of the film in each scene are captivating and aesthetically pleasing. A horror period piece is not a common breed of movie, as one only comes out every few years, and it is exciting to see the most recent perfect the period visually. The script isn’t bad and also captures the period piece, but the story is a typical werewolf story. It is highly predictable and can be quite silly. But these two criticisms are true to the film’s genre. The criticisms of the film are criticisms that could be applied to any film of its genre and any werewolf film both past and present. However, again, it is a good film for its genre.

The role of Lawrence Talbot for Benicio Del Toro is in some ways a different role to what he is typically seem playing. Del Toro takes on the gentleness of the grieving Talbot to begin with well, which is a change from the usual harsh quality of his roles. In some ways, he feels miscast as Sir John Talbot’s son, until he makes his transformation to the monster of the film. It is then obvious to see why he was cast in this role as physically, he is perfect for the role. “The Wolfman” is by far not Anthony Hopkins best role of his career, and is almost forgettable, if it wasn’t for some unsettling moments. Emily Blunt performs well, as she does in period dramas. Blunt is one of those rare young actresses who can successfully pull off characters from any time in history, although her role as Gwen here is like a non-regal version of the young queen she played in “The Young Victoria”. Hugo Weaving is a standout in the film in the role of Abberline. He is dark and sarcastic, but his wit makes him strangely endearing.

“The Wolfman” is definitely enjoyable to watch and if you take it as a horror film with the classic werewolf character, it is not a bad film at all. However, if you are expecting a suspenseful film with an ending that is surprising, there is a disappointment in store. “The Wolfman” is a highly anticipated film release and lives up to its expectation.
6.5/10