Kill Your Darlings (2013)

Year: 2013
Running Time: 104 minutes
Director: John Krokidas
Writers: John Krokidas and Austin Bunn
Cast: Daniel Radcliffe, Dane DeHaan, Michael C. Hall, Ben Foster, Jack Huston, Elizabeth Olsen, David Cross, Jennifer Jason Leigh, Kyra Sedgewick

Kill Your Darlings will open in Australian cinemas on the 5th December and is distributed by Sony Pictures.

Kill Your Darlings is very much an acquired taste film. It will seem a little too bizarre and confronting for some, but for those who are fans of the Beat Generation and those associated with it will be in for a thrill.

Kill Your Darlings is without a doubt very nostalgic and atmospheric of the 1940's and the world of the young Allen Ginsberg, Lucien Carr, Jack Kerouac and William Burroughs, all of who are brought to life wonderfully by their respective actors. As a film about these men, the film is a complete success. However, it is not a continuously engrossing film, not incredibly suspenseful or thrilling, and takes an incredibly long time to get to the main focal point of the film.

When seventeen year old Allen Ginsberg (Daniel Radcliffe) is accepted to Columbia University, he steps out of the shadow of his well known poet father, Louis (David Cross) and starts to make a name for himself. He quickly becomes best friends with the charismatic Lucien Carr (Dane DeHaan), who enters Allen into a world he never knew existed and introduces him to William Burroughs (Ben Foster) and Jack Kerouac (Jack Huston). The four share their ideas on deconstructing social norms and start their own war against society's accepted standards. Yet it is the presence of Lucien's "guardian angel", David Kammerer (Michael C. Hall) that threatens to destroy it all and brings the young men to one fateful night that will change all of them forever.

As a biopic, Kill Your Darlings is incredibly well done. It documents the beginnings of the Beat Generation exceptionally well and uses the narrative to reveal how Allen Ginsberg came to be the man he was. You really feel as though you step into the world of Kill Your Darlings rather than remain a spectator on the outside for an hour and a half. Each scene is so atmospheric and makes you feel, hear, smell and touch everything which you are seeing on the screen. In particular, the scenes inside the bars throughout the film are incredible. You can smell the smoky air that is tinged with the smell of alcohol and the glamour of the 1940's makes it seem far more attractive than what a local bar may be in the present. It is a rare thing in today's movie culture of larger screens and 3D, to feel so involved in a film which is just straightforward and not being enhanced by these cinematic tricks.

The screenplay itself is verbally exquisite, as one would hope that a film featuring some of the most well known writers of the twentieth century would be. Some of the dialogue, especially that of Lucien, is just so interesting and pleasing to listen to. However, after the thrill of the first five minutes of the film, Kill Your Darlings suddenly plateaus and just coasts along for awhile at the same tone and emotional level. The beginning scenes with Allen and Lucien in the prison and Lucien in the lake holding David in his arms, along with the powerful title sequence, make for a fantastic start to the film which promises so much. Yet this is it as far as suspense goes for the majority of the film. It does quicken up it's pace a bit more at the very end, but for the most part is very slow and boarding on tedious.

John Krokidas' direction certainly brings out the best in his actors. There is no lack of character in any of the main players in this film. They are all wonderfully and intriguing constructed and have so much more to them than meets the eye. Daniel Radcliffe gives his first really "grown up" performance as Allen Ginsberg in this film by taking his acting to a completely new territory. He embodies Ginsberg perfectly and has some terrific emotional moments. Dane DeHaan has so much charisma as Lucien Carr. You do not want to take your eyes away from him from the beginning to the end of the film as he is so captivating. Although not the most likable character at times, he is absolutely the most interesting.

Ben Foster's William Burroughs is brilliant. Foster is almost unrecognisable from his past roles when he first appears onscreen. His performance is incredibly quirky, but again so intriguing. The tone of his voice used through the film is almost hypnotic, with a touch of hilarity. Elizabeth Olsen doesn't have as much screen time as you would like to see her have considering her portrayal of Edie Parker, Jack Kerouac's girlfriend is so powerful. She is a strong woman, but also has a tender side, both of which would have been a treat to see more of. Jennifer Jason Leigh also does well as Ginsberg's mother, Naomi.

Kill Your Darlings does fall into the trap of retelling the story of these men fact for fact, which means that it forgets that the audience needs to actually feel something to be kept entertained. The film isn't for everyone, but those who enjoy these particular writers or finding out a bit more about the origins of twentieth century literature will enjoy Kill Your Darlings.

6.5/10



You may have also seen Daniel Radcliffe in.....
Harry Potter and The Deathly Hallows: Part 1 and Part 2 as Harry Potter
The Woman In Black as Arthur Kipps

You may have also seen Dane DeHaan in.....
Metallica: Through The Never as Trip

Metallica: Through The Never (2013)

Year: 2013

Running Time: 94 minutes

Director: Nimrod Antal

Writers: Nimrod Antal, James Hetfield, Kirk Hammett, Robert Trujillo, Lars Ulrich
Cast: Dane Dehaan, James Hetfield, Kirk Hammett, Robert Trujillo, Lars Ulrich

Metallica: Through The Never opens in cinemas across Australia on 10 October 2013 and is distributed by Hopscotch Films. Now showing in cinemas across the USA and the UK.

Metallica: Through The Never is described by the official movie website as being "a groundbreaking music-driven 3-D motion picture event". In some ways it certainly is, but perhaps not in all the ways that the film makers and Metallica hoped it would be.

First and foremost, Metallica fans will be absolutely thrilled with this film. Unlike 2004's Metallica: Some Kind of Monster which was a documentary, Through The Never is a 3-D concert film which is best experienced on the big screen. It gives you the feeling as though you really are there amongst the Metallica fans for this one off concert which took place especially for the film. However, in amongst the set is also a subplot centring around a roadie, Trip (Dane Dehann) who has been sent on an urgent errand for the band during their show. He enters into the city and finds he is in the centre of a violent uprising in which he has to fight for his life as well as making sure his beloved band receive the mysterious bag he has been sent out to retrieve.

Again, this is the ultimate for Metallica and general rock music fans. It allows you to be right up there in the front row of this incredible concert event. An arena spectacular which has one of the most elaborate sets you will ever see makes this concert an absolute must see. Metallica perform their greatest hits including "Enter Sandman", "Nothing Else Matters", "One", "Fuel" and "Master of Puppets" and do so flawlessly while around them the stage morphs itself into a living, breathing video clip, and that is in no way a bad thing. Coffin shaped screens lower showing clips of people who are not dead and trying to be set free are definitely a memorable moment, but perhaps the most memorable is the completion of a large statue which moves and then falls apart on stage leaving no doubt how heavy duty it really is.

However, the flip side of the film which is Trip's journey leaves a great amount to be desired. Although it is assumed that if you are going to see this film you are going as you are a Metallica fan and you are more interested in the concert aspect, the "narrative" of the story is just not all it could be. It starts off interesting enough with Trip entering the arena and seeing the band through his eyes backstage. There is also suspense and tension when he enters into the deserted city and is bit by bit faced with the horror that has taken place. And then you are left to figure it all out by yourself. This isn't always a bad thing, but search hard for the clues as to what is actually going on and you still can't find any which makes it impossible for you to draw any real conclusion about what you are seeing. If there was a real story behind the mash up of images, one would not be bothered so much. There does start off being some continuation, but this is lost just as you think you are about to figure out what is going on.

Dane Dehann does well for what he is given. He does spend the large majority of his on screen time looking confused more than anything else, which will probably match what most of the audience are feeling too.

The bottom line with Metallica: Through The Never is that on the big screen it will be one of the year's highlights for Metallica fans. It would have benefitted so much more from being just a film about an outstanding concert event, rather than trying to fit in a story which doesn't seem to go anywhere or make sense. By trying to add this "story" into the film and trying to make it a film for more people than just Metallica fans, it actually does the opposite.

6/10