Showing posts with label bryce dallas howard. Show all posts
Showing posts with label bryce dallas howard. Show all posts

Thursday, September 1, 2016

Pete's Dragon (2016) film review

Year: 2016
Running Time: 102 minutes
Director: David Lowery
Writers: Malcolm Marmorstein (based on the screenplay by), David Lowery and Toby Halbrooks (screenplay)
Cast: Oakes Fegley, Bryce Dallas Howard, Oona Laurence, Robert Redford, Wes Bentley, Karl Urban

Pete's Dragon is now showing in the United States and will open in Australia on September 15. Distributed by Walt Disney Pictures.

Once again, another film enters cinemas this year that looks deceptively like a stereotypical remake. However, Pete's Dragon is only loosely based on the 1977 film of the same name with the only concrete similarity being that there is a boy named Pete who's best friend is a dragon named Elliot. Disney's new film has gone in the opposite direction of it's namesake and instead of remaking Pete's Dragon as the musical comedy it originally was, they have turned it into a family drama that is simple and quick, but incredibly sweet, loving and moving.

In the small Pacific northwest town of Mulhaven, there has always been stories of dragons in the woods, but with so little evidence they have never been proved to be much more than folklore. However, when a young, orphaned boy, Pete (Oakes Fegley) emerges from the wilderness, the town is shocked that he was able to stay alive living by himself for so long. Park ranger, Grace (Bryce Dallas Howard) is able to earn Pete's trust and he confides in her about his best friend, Elliot, which challenges everything she and most of her family has ever believed.

While vastly different films, Pete's Dragon can be likened to the 2016 Ghostbusters. Both may be classified as remakes, but neither primarily aspires to replicate the original on a bigger and better scale as stereotypical remakes tend to do. In both cases, the filmmakers use the originals only as inspiration to do something new and different with the story and this is what should be done with remakes. A remake should be a product of seeing an original opportunity in an old idea.


Although the 1977 Pete's Dragon is loosely classified as a Disney classic, the Don Chaffey directed film which starred Sean Marshall, Helen Reddy and Mickey Rooney is considered mediocre at best. David Lowery's film may be a very different film to the original, but is so superior in it's production that it has the power to become the more referenced out of the two in years to come.

The 2016 Pete's Dragon is a truly surprising experience. While the film seems quite quick as it takes place over only two days and the story easy and straight forward, there is a great deal of power behind it's simplicity. The film is filled with so much love which is transcended onto the screen in the sweetest of ways so that it would take a cold heart to not be moved by Pete and his dragon. The audience feels an instant emotional attachment to the two unlikely friends as a result of splendid character development (especially that of Oakes Fegley's Pete) and wonderful casting and direction. This attachment formed between character and audience is one of the things which makes Pete's Dragon extremely moving. The soundtrack for the film is also beautifully utilised to give greater depth and understanding to the situations at hand.

In an age where CGI is such a dominant feature in mainstream Hollywood films, it takes something special to be truly surprised by the phenomenon these days. The CGI development of Elliot is outstanding, but not in the way it traditional sense. Elliot has been constructed with so much love that he is immediately likable and it is easy to forget that he is not a real being that is being filmed alongside Fegley. He is the perfect mixture of pet and best friend and while the idea of chemistry between an actor and a CGI created animal may seem impossible, it is certainly proved otherwise here.


This is a definite area of credit for Oakes Fegley. Acting alongside a CGI creation is often difficult and when this is so it transcends to the screen, but Fegley does a superb job of making us believe that he is really there with his best friend who just happens to be a dragon. Fegley's performance as Pete is one of the best by a young person of the year. Like Elliot, he is immediately lovable and empathetic. Fegley allows the audience to watch Pete go through some heavy emotions (such as hurt and grief, as well as the complicated notion of separation anxiety) in a way which is devastatingly real.

Bryce Dallas Howard also gives a performance which is just beautiful. Her portrayal of Grace is stunningly heart-warming and maternal. Robert Redford also does well as Grace's father, Meacham and makes the most of the screen time he is given. Karl Urban character of Gavin, who is the film's villain, is perhaps the only let down. He comes across as corny and over-exaggerated without a hint of real menace, which makes him a lousy nemesis to Elliot.

Who would have thought that in 2016 Pete's Dragon would be a loving family film that brings a tear to your eye on more than one occasion? What David Lowery has done with his film is truly wonderful and a perfect example of what a remake should be...inspired, but original in it's own way.

8/10


Monday, September 5, 2011

The Help review- Is it wrong for a serious matter to be beautified?



















Year: 2011
Director: Tate Taylor
Cast: Emma Stone, Viola Davis, Octavia Spencer, Bryce Dallas Howard
In My Own Words
                Ron Howard has got one talented daughter.
                Don’t get me wrong, I think all the actors in The Help are very talented women and I have a tremendous respect for each one of them, but Bryce Dallas Howard is one actor I have kept my eye on for the past few years.
                I know M. Night Shyamalan’s The Village has a lot of haters, but I didn’t mind it. It was one of those films people went into expecting a horror film with a lot of blood and guts, monsters and ghosts. So if you were expecting that and weren’t open to anything else, then yes, you would be disappointed. I liked it because it was actually a really good period piece film and it had a difference to it. And Ms Howard’s breakout performance as the blind, wise girl was extremely memorable.
                Since then, I have been waiting for another performance like that from her. Manderlay and As You Like It weren’t bad, as wasn’t The Loss of A Diamond Teardrop. However, I had been waiting for her to take on meatier role to show her true talents. In The Help, she does a great job at the sweet but evil Hilly Holbrook and I was so pleased to see her in this role. I still believe she has more in her than what we have seen though. Get her in the right role and she is one of the future Academy Award winners. How’s that for a big prediction?
                These are my own words and here is my review.
Review
                If you want to see how perfect character development in films should be done, it is right here in The Help.
                The characters in The Help are so well constructed that you as the viewer truly feel as though you have made true friends and enemies in the space of 146 minutes. The acting is brilliant, as is the background of the south in the early 1960’s. The only drawback is that it can be a little bit too pretty at times for a film which has very serious undertones. It isn’t all doom and gloom though.
                Eugenia “Skeeter” Phelan (Emma Stone) is an aspiring writer in 1960’s Jackson, Mississippi, a time when women weren’t supposed to want a career, just a husband. After approaching, the maid of one her friends, Aibileen (Viola Davis) for help with her column, she realises how much Jackson’s help has to tell. Skeeter undertakes the ambitious and dangerous task of writing a book from the point of the Help about the white families they work for. The further Skeeter explores, the more she sympathizes with the Help and realizes the evil that is all around her in Jackson.
                Kathryn Stockett’s novel is brought to life in brilliant fashion. The time period of the 1960’s in the south is very well represented. It is startling revelation to many that this time of unease and cruelty was not so long ago. There are some startling and very emotional moments throughout The Help, but also some comedic and triumphant moments. The script provides some memorable moments as well, particularly when the Help are telling their stories.
                Visually, the film is rather gorgeous. The town of Jackson is picturesque and the town’s milk bars make you long for that part of the 60’s with the music of the times blaring while you drank your milkshake. The classic Cadillacs are a novelty and the costumes for the women are stunning.
The only problem is that these things can make the film a little too pretty. The poster for The Help is bright yellow, which is a funny colour the make a poster of a film where the main subject is the cruelty towards the coloured Help, as yellow normally symbolises happiness. The lives of the white women in Jackson come across as enviable as visually everything looks so perfect and fun and pretty for the female audience. It turns The Help into a chick film based purely on the visuals. It does seem strange for Tate Taylor to make a film with content like this so pretty, but it does open it up to a larger audience of females of all ages by doing so. However, making the film so “pretty” does take away the seriousness of the full picture.
                The characters are wonderful. The best thing is you know exactly who all the characters are and where they have come from. Viola Davis and Octavia Spencer give tremendous performances and they are so real. You know the background of each of the characters and you feel connected to the two of them and feel everything they go through.
                Emma Stone does well in a role that is unlike her comedic roots. She has one very touching moment when she finds out the truth about her old maid. Bryce Dallas Howard is great as the sweet and sour Hilly Holbrook. Her character is the type of person every fears, the one people feel they have to be friends with because otherwise they will tear you to shreds. Both her and Stone are completely natural in their roles.
                Jessica Chastain, who plays Celia Foote, does well at times, but her character does come across as a bit too silly and plays the dumb blonde stereotype a bit too over the top. The small roles in which the men of the film have portray the white men of Jackson to be just as much dumb blondes as what Chastain’s character is.
                Enjoyable and visually fun, but is it wrong for something of such a serious matter to be visually fun?
7/10