2014 St Kilda Film Festival

The St Kilda Film Festival is Australia's premier short film festival and is the oldest and largest of it's kind. The festival will this year run for the ten day period between Thursday 22nd and Saturday 31st May at both St Kilda's Palais and Astor Theatre, and will showcase the best in Australian short film. The 2014 program will also feature music videos, archival screenings, youth programs, filmmaker development forums and an international showcase presented by the Palm Springs Film Festival.

The St Kilda Film Festival is an extremely prestigious event and one which is of great importance to the short film calendar, as the award winners become eligible to qualify for the Academy Award short film categories. The festival program includes the Top 100 Australian short films as entrants in the competition which prizes include more than $40 000 in cash and in-kind prizes.

As well as showcasing the Top 100, the 31st festival will also host SoundKILDA on the 29th of May, which celebrates and awards the best in Australian music videos. The three days between the 24th and 26th May will also see the hosting of the special archival programs Zombiethon, Ernest Singer Presents: A Tribute to the Home Movie Pioneer and Back to the Sixties.

This year's competition is an extremely competitive one as the Top 100 contain a huge variety of amazing films and have something for every taste. Movie Critical has compiled a list of their top twelve picks for the festival and where and when you can catch each of these incredible pieces of work.

A Writer and Three Script Editors Walk Into A Bar
Director: Matthew Saville
As the name suggests, a writer and three script editors walk into a bar and take a seat. The writer starts to tell a joke and hilarity ensues, but not the type such a joke would normally evoke. This little piece of comedy makes it's world premiere at the film festival and after watching this short, you will never be able to hear this same joke again without questioning it like a script editor!
Screening Session 8 on Tuesday 27th May at the Astor Theatre.

All God's Creatures
Director: Brendon McDonall
All God's Creatures won the Silver Award Student Cinematography at the ACS Awards 2013 and Best Film at the 2013 Sydney Mardi Gras Film Festival. Two young brothers who have just lost their father could not be more different and their intense relationship comes to a head one day when out fishing. This film is unforgettable. The cinematography is beautiful and the acting perfection. We are reminded here that it is not only adults who deal with grief differently, but also children deal with deep emotions in different ways depending on the type of child they are. The ending is incredibly heart-warming and sweet.
Screening Session 10 on Thursday 29th May at the Astor Theatre.

Almost
Director: Frances Anderson
Almost completely encompasses instant, pure romantic chemistry. Emily (played by Maeve Dermody of Beautiful Kate and Griff The Invisible) and Tom meet and are instantly drawn to each other, but are destined for long distance. However, unknown to Emily, Tom is always with her. Very sweet, but also heartbreaking. The cinematography is exquisite with beautiful lighting and camera angles which enhance the intimacy of the lead characters feelings.
Screening Session 11 on Friday 30th May at the Astor Theatre.

I Want You
Director: Viva Bianca
I Want You will be relatable for many in today's society. Maya is in love with a boy who lives in Israel and there relationship exists on screen as they both yearn for each other, but the distance becomes increasingly harder. This film see's two people who are in a non-physical relationship trying to somehow remember what it was like in times when they were physically with each other. A great look at a long distance relationship in the 21st century and the pitfalls of such a relationship.
Screening Session 11 on Friday 30th May at the Astor Theatre.

Into The Streets
Director: Logan Mucha
Documentary, Into The Streets takes a look at the unruly and violent beginning of the Sydney Mardi Gras in 1978. This is a great look at a piece of Australia's Mardi Gras history and a must see to realise how far we have come in terms of our nation's acceptance. It can be quite confronting and horrifying when you realise that this was only 36 years ago, but makes wonderful use of slow motion in order to run home the emotion of the times.
Screening Session 9 on Wednesday 28th May at the Astor Theatre.

Looking For Rubbish
Director: Tim Stone
Japanese war veteran, Toyoji Hatano may be 93, but this doesn't stop him cleaning the streets around his house everyday. Hatano's story is all at once heartbreaking, challenging and motivational. At his age he is frail, but his mind still tells himself that he can do whatever he wants and his body follows. This documentary is incredibly interesting to watch and beautifully shot.
Screening Session 13 on Saturday 31st May at the Astor Theatre.

Makeover
Director: Don Percy
Tropfest second place winner Makeover, is a completely original piece of work. It is quirky and slightly odd, but very entertaining and very funny. Widower Horrie decides to go on a blind date and gives himself a makeover. The results are hilarious. The film has a wonderful use of colour and is quite fantasy like. It really is a lot of fun and completely entertaining with lots of laughs to be had.
Screening Session 3 on Friday 23rd May at the Astor Theatre.

Notes
Director: Josef Ber
Directed, produced, written and starring Josef Ber, Notes is an Australian premiere at the festival. Gary is a homeless man who is given an amazing opportunity for someone in his position, but he must decide what to do with this opportunity. A sweet and endearing film lead by a sweet and endearing character has a Groundhog Day feel to it, but with a pinch of sadness. It reminds you to separate what you desire and what you ultimately need.
Screening Session 1 on Friday 23rd May at the Astor Theatre.

Swallow
Director: Mia'Kate Russell
Swallow is the pick for horror film fan at this year's festival. Proclaimed as the world's first gay priest werewolf film, Jim returns to the town which he left as a result of constant bullying by Macka, with his boyfriend Tom. What ensues as a result of it being that time of the month is a whole lot of craziness. This film is very quirky, but lots of fun and definitely original and a creative spin on the werewolf genre.
Screening Session 12 on Friday 30th May at the Astor Theatre.

Tango Underpants
Director: Miranda Edmonds and Khrob Edmonds
After experiencing a break up, Carolyn decides to do what many do after such an event and pack her bags and leave the country. She finds herself in Buenos Aires where she falls in love with the dance of love, the tango. Tango Underpants is another film many will relate to as many girls will see themselves in Carolyn. This film is beautifully shot and as Carolyn falls in love with Buenos Aires, we also see the city and fall in love with it at the same time due to the romantic cinematography.
Screening Session 4 on Saturday 24th May at the Astor Theatre.

Test Drive
Director: Lynne Vincent McCarthy
Test Drive packs a punch and delivers an incredible amount of suspense in it's eleven minutes. Sadie allows two men to test drive her car which she is trying to sell, and after a few minutes of her sitting in the back to these two, she realises that something is really wrong and the drivers are very dangerous people. This film reminds you not to get in the car with strangers. It does not take long to kick into gear and is an absolute roller coaster for the viewer. Lead actors, Eryn-Jean Norvill, Eamon Farren and Grant Cartwright all do tremendously well here.
Screening Session 11 on Friday 30th May at the Astor Theatre.

The Landing
Director: Josh Tanner
The Landing follows a man who returns to his childhood home to find out exactly what happened a mysterious object fell from the sky in 1960. Unlike many science fiction films, The Landing has an extremely realistic feel to it, which makes this extremely atmospheric film even more creepy. Very intense and mysterious, it is also very nostalgic and perfectly captures the Midwest in 1960. A perfect pick for anyone who enjoys a bit more to their science fiction.
Screening Session 12 on Friday 30th May at the Astor Theatre.

Two Player Game
Director: Joseph Gordon-Levitt and Steve Baker
This is sure to be one of the biggest hits of the festival due to the big names associated with it. Joseph Gordon-Levitt both directed and wrote this short film and Scarlett Johansson lends her voice to the female character in the short animation, Two Player Game. This hilarious piece of work leads us inside the mind of a boy and girl meeting for the first time. They are both interested, but it is all a game. A lot of fun and all very true.
Screening Session 2 on Friday 23rd May at the Astor Theatre.

The 2014 St Kilda Film Festival will run from the 22nd-31st May. Please see the official website for more information.

Lincoln (2012)

Year: 2012

Director: Steven Spielberg

Cast: Daniel Day-Lewis, Sally Field, Tommy Lee Jones, David Strathairn, Joseph Gordon-Levitt

Before I begin my review….

                It’s getting close! Less than two weeks to go till the 85^th Academy Awards! The countdown is on and I am getting to the point where I feel as though I can start to make informed predictions about who I believe will take home the big awards.

So we have our sixth nominated film to be reviewed, Lincoln. I think everyone, including me, knows that this film has at least one guaranteed Oscar.

Lincoln is nominated for a massive 12 Academy Awards. I can tell you with complete certainty that it will not be walking away with all 12. It is nominated for Best Picture as well as Best Director for Steven Spielberg. I’m not completely convinced that this is the year’s Best Picture winner. Following all the other award nights, I have an idea which film may be having its name engraved in one of the pillars lining the Dolby Theatre (once the Kodak Theatre)stairs, and Lincoln will be a major surprise if it leapfrogs over that film to take the big one.

However, Spielberg wouldn’t be completely out of line if he let it be known that he is preparing his acceptance speech. We all know he is a brilliant director, he has exhibited this numerous times. Lincoln once again exhibits how brilliant a director he really is. I believe he is the front runner in this category.

Tommy Lee Jones took home the Screen Actor’s Guild award for Best Supporting Actor and he is very deserving. However, he does have tough competition from Christoph Waltz. My personal opinion is that Waltz has just that little bit more than Jones and should be taking home the award. The Best Supporting Actor category is a tough category this year, there have been some fantastic performances this year.

Poor Sally Field (if you can say that, she’s had a pretty damn good career thus far). Anyone who is nominated for Best Supporting Actress this year is pretty much ruled out of the equation with Anne Hathaway the front runner. If Hathaway didn’t give the performance she had in Les Miserables, I believe Field would have been the front runner instead.

And then…we have Daniel Day-Lewis. Yes he is brilliant and yes, he will win his third Academy Award. Now this is a big thing. There are only five people who have won three acting Oscars in history, including Katharine Hepburn who has actually won four. It looks like Day-Lewis will be the sixth to join this coveted group.

Review

There is no doubt the Steven Spielberg is a great director. There is no doubt that Daniel Day-Lewis is an amazing actor. So there was really no doubt about whether Lincoln was going to be a success.

Lincoln is a film which is very well made and acted, but the fact remains, it is a film which will mean more to you if you are American. It is a great history lesson for those who only know the basics about Abraham Lincoln and the American Civil War, but there is a lack of emotion which you really want to feel for this great man.

Lincoln focuses primarily on Abraham Lincoln’s (Daniel Day-Lewis) final presidential years when he was instrumental in abolishing slavery. The passing of the amendment in the House of Representatives is covered in depth and shows what went on behind closed doors in order to make sure the outcome that Lincoln strived for was achieved. Away from politics, Lincoln also shows how strained his private life was during these years. His wife, Mary Todd Lincoln (Sally Field) struggles with their middle son’s death years before and their oldest son, Robert (Joseph Gordon-Levitt) struggles with trying to win his father’s affection and at the same time, become his own person.

Spielberg once again proves that he is an amazing story teller. He goes through the passing of the amendment in such detail that if you didn’t know much about Lincoln and the civil war before, you will feel as if you know everything when you leave the cinema. He does go through it in such detail that it can make the film a bit slow and also make it a tad boring in certain parts. You can understand why Spielberg has tried to include all this as he wants you to exactly know step by step how and why this amendment was passed. It is part of Spielberg’s job as a storyteller to entertain as well as inform, and he ensures he gives you the best history lesson he possibly can.

The main thing missing from Lincoln is the emotion in the film. You come out of the film thinking about how you have just seen a good film, but you are not over-whelmed in the way you are when you have seen a great film. There are so many great things about Lincoln, but it lacks the ‘wow’ factor and the ability to make the audience connect on an emotional level. It is not for lack of wanting or trying either. Lincoln is such a heroic historical figure that you want nothing more than to cry at his successes and failures. however, thi

However, Americans may have a greater emotional connection to this film as it is part of their history and it is a film which they will be able to relate to. For those who are not American may not have this emotional connection for this reason.

Don’t be alarmed, there is plenty to marvel at in this film. Visually it is a brilliant recreation of Civil War torn America. There is some beautiful cinematography, such as the depiction of Lincoln’s dream and Lincoln’s final speech.

Yet, it is the acting in Lincoln that truly makes the film. It is impossible to see anyone ever playing Abraham Lincoln again and being quite as convincing as Daniel Day-Lewis. Day-Lewis, who is known for becoming his characters on and off screen when making a movie, is the great man. Lincoln is surely looking down from Heaven and smiling on Day-Lewis. He does him so much justice and from what we know about Lincoln that has been carried down through the years, he is the absolute embodiment of him.

Sally Field is also incredible. Her performance is so heartfelt and shows a wife and mother who has given everything to her family.

Tommy Lee Jones is also brilliant as Thaddeus Stevens. It’s a strong performance and one with so much charisma.

Joseph Gordon-Levitt is not on screen for a tremendous amount of time, but for the time which he is, he is very good. He has one particular scene with Day-Lewis when he shows that he has it in him to become one of the greats in the years to come.

Lincoln is a wonderful history lesson, but misses that emotional chord that would make it a great.

7.5/10

Looper (2012)

Looper

Year: 2012

Director: Rian Johnson

Cast: Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels, Piper Perabo

Before I begin my review….

                For those of you who don’t know me personally, I recently became a mum for the first time.

My baby boy was born nearly five months ago and just as everyone warned me, many things have changed. I have completely changed in the way which I see a lot of things in life and I actually believe for the better. One thing I was not prepared for was that the way I watch certain films has also changed.

                Not all films, but those films that have anything to do with children strike a chord with me now. I guess that is to be expected when you are a mother, but it wasn’t one of the things I contemplated in the nine months leading up to my little man’s birth when I was more concerned with picking out nursery furniture and trying to store sleep (as so many people love to tell you how little sleep you will receive when the baby comes….true fact, but you don’t need complete strangers telling you that all the time).

                In particular, Looper is one movie that probably wouldn’t have affected me on an emotional level as much if I wasn’t a mother. I found the relationship between mother, Sara and son, Cid completely heartbreaking at times. Looper can be categorized as an action/ thriller, and I never thought a film in one of these genres would make me feel when leaving as though I had just watched a drama. I am pretty sure that director, Rian Johnson was trying to evoke an emotional response from his audience, but I think as a perhaps it would make the parents more emotional. If I am anything to go by anyway.

                I think I should be getting ready for a lot more of these unprecedented responses in the future from the films I will be watching and reviewing.

Review

                Looper is one of the most original films you will see this year. Not a perfect film, but very clever, entertaining and original nevertheless.

                Rian Johnson has tackled a completely new genre in Looper and has approached this action/thriller film with the same originality he approached his earlier films such as Brick and The Brothers Bloom with. This combination has created something we haven’t seen before and is a well-made and entertaining original.

                The year is 2044 and time travel is made possible in 30 years time. Joe (Joseph Gordon-Levitt) works as a looper, which are hit-men who are hired to take care of those sent back to the current year. The worst part about being a looper is when your future self is sent back for you to kill which is known as closing the loop. When Joe’s future self (Bruce Willis) is sent back, he is sent on a chase to save his life, but meet the death of his self in 30 years time.

                   The story and screenplay of Looper is extremely interesting. The script is effective as although the concept may seem like a complex one, it makes it easy for the audience to grasp early on in the film what everything and everyone is so no one is left confused. It is an entrancing concept which draws everyone in and the visuals on the screen compliment the screenplay to make the film very slick and presentable.

          Johnson’s direction is very good in the way in which the film is shown visually. The editing provides a clever way of linking both Joe’s present and future self, which can come across as confusing at first, but all lose ends are sewn up by the end of the film.

           There is no doubt that Joseph Gordon-Levitt is a very good actor, he does a very good Bruce Willis. He has obviously studied the way that Willis holds himself and his facial expressions. However, although he sat in the make-up chair for at least two and a half hours each day before filming began, it can be a little distracting. It can sometimes look as though Gordon-Levitt is struggling to move his face under the make-up. The make-up artists did give it a good go considering Gordon-Levitt and Willis don’t really look a thing alike.

             Bruce Willis is just Bruce Willis. There is nothing in this film that he does that hasn’t been done before. It is just another action role with some anger moments.  Unlike Gordon-Levitt, he doesn’t meet in the middle to compliment Gordon-Levitt.

            Emily Blunt is splendid. She is completely believable as Sara, the doting mother of Cid (Pierce Gagnon). Gagnon is also wonderful. You immediately feel sorry for the little boy and the chemistry between him and Blunt is perfect.  For the brief moment there is supposed to be chemistry between Gordon-Levitt and Blunt, it falls flat.

             Pure originality is not something that is popular in film today so Looper is completely refreshing. Rian Johnson must be congratulated and doing such a good job with a brand new and entertaining concept.

8/10

 

References
 The Internet Movie Database
MTV
BC Blog Critics

The Dark Knight Rises (2012)

The Dark Knight Rises

Year: 2012

Director: Christopher Nolan

Cast:  Christian Bale, Tom Hardy, Anne Hathaway, Michael Caine, Marion Cotillard, Joseph Gordon-Levitt, Gary Oldman, Morgan Freeman

Before I begin my review….

                Every so often I see a movie that reminds me and completely sums up why I love movies and writing about them so much. I am so happy to say that The Dark Knight Rises is one of those rare movies.

                I was completely speechless coming out of the cinema after this film. I just didn’t know where to start as to why this was such a brilliant film. Not only is it a brilliant film, but I loved it. That may sound ridiculous, but I believe you can acknowledge a film as being brilliant without actually liking it that much if it isn’t the type of film you actually enjoy. I really loved this movie.

                So I got to thinking. Yes, Heath Ledger was nominated for and won the Academy Award for Best Supporting Actor for his portrayal as The Joker in The Dark Knight, but could a ‘superhero’ film actually be Oscar nominated?

                I was absolutely LOVE to see Christopher Nolan nominated come awards season for his The Dark Knight Rises direction. His direction in this film is better than his direction in Inception, which he was nominated for.  Yet, ‘superhero’ movies(in commas because it isn’t your typical superhero film we are talking about here, yet Batman is classified as a superhero) and often blockbuster films are snubbed by the academy. Not all blockbusters are exempted from nominations (for example, Avatar), but it is a rarity to see one right up there.

 I believe Nolan is completely deserving of a nomination here. What I love about what he has done with the last three Batman movies is that he took the films and put his personal directing stamp on each one of them. They weren’t like the previous Batman films which were typical of the superhero genre. He took the films and while providing the big action sequences and special effects that are typical of the genre, he bought great a great story and script, some amazing performances and that Nolan atmosphere of drama and thriller that is prominent in his films.

I’ve always been a Nolan fan, but after The Dark Knight Rises, I have no problem in saying that he is one of the greatest film directors alive at the moment. It would be like a welcome Christmas present come the end of this year to see his name up there amongst those names muttered during awards season…superhero film or not.

Review

There is no doubt, the last of Christopher Nolan’s Batman films is the greatest. He has saved the best for last.

Not only is The Dark Knight Rises the best of Nolan’s Batman films, it is a spectacular film in itself. You don’t have to be a massive Batman fan to enjoy it, but you do have to have some knowledge of the previous two films in order to completely understand what is happening. The direction, acting and screenplay are all impeccable and there is no denying that The Dark Knight Rises will be remembered and treasured for years to come…and there are not many films that will do that these days.

Eight years on from Harvey Dent’s death, Gotham City is in a state of peace and the one who was blamed for Dent’s death, Batman and his alter ego, Bruce Wayne (Christian Bale) have not been seen since. The peace is unsettled with whispers that underground terrorist leader, Bane (Tom Hardy) is on the rise and gathering forces. Batman once again shows his face, but soon finds that Bane is perhaps the most evil and deadly enemy he has faced.

Nolan is a genius. His direction and screenplay written with his brother, Jonathan Nolan in this film are superb. Scenes such as when Wayne and Selina Kyle (Anne Hathaway) are doing their doe-see-doe at the fundraiser, the police car and motorcycle chase, Bane’s airplane adventure and when Bane is approaching the football field are just brilliant. The cinematography, character placement and accompanying sounds completely enhance the feelings that are to be evoked in these scenes. Nolan takes advantage of every little feature of every scene to get the most out of every moment of the scene.  His use of flashbacks to help tell the story is also very good.

Although a little on the long side, every scene is worthwhile and contributes to the story. There is no stone left unturned and no questions left unanswered. Everything means something. The story also pulls on information from the past films to contribute to the film as a whole. This is perhaps the only downfall of the film. You do need to see the two previous Batman films to understand what is going on. There is quite a bit of assumed knowledge, but Nolan still tries to help by using flashbacks and providing beneficial scenes such as the opening scene with Commissioner James Gordon (Gary Oldman).

The story is very well composed. There are the twists and turns you would expect to find in a thriller film and when you think you have it all figured out, you really don’t.

The acting in The Dark Knight Rises is simply perfect. There is not one bad performance in the film and nothing left to be desired. Christian Bale gives his best performance of the three films by far. There are no longer any comparisons to Michael Keaton to be made, Bale is Bruce Wayne. Everything about his performance is the man behind the mask. You see him change from the reclusive millionaire at the beginning to the high flying business man once again to the man with the tough exterior who is on a mission. And then of course, there his better than ever Batman.

It was reported that Anne Hathaway was worried about playing Catwoman and bring compared to Michelle Pfeiffer’s role in Batman Returns. She clearly had nothing to worry about. She fits the role perfecting acting wise and physically. Like the traditional Catwoman, you never know where her true loyalties lie.

Both Gary Oldman and Michael Caine also bring their best Batman film performances to the table. Oldman is always likable and you want to cheer for him as much as the masked hero. Caine just shines as Alfred. You have no problem believing that he truly loves Bruce Wayne like a son and he has some completely heartbreaking moments.

Tom Hardy. Terrifying. The man had massive shoes to fill as he is the main Batman villain to follow on from Heath Ledger’s Joker in The Dark Knight. Hardy’s Bane is what nightmares are made off. The man behind the mask with the booming and intimidating voice is the villain who the audience believes could really beat Batman. It is always a great thing to give a performance where you can’t see their whole face, but tell just from his eyes exactly what is going on in that head of theirs.

Joseph Gordon-Levitt also has to be paid credit to. He is no longer the little boy who we saw in 3^rd Rock From The Sun all those years ago and can swing it with some of the biggest names in acting on the planet. He is completely believable in every way as John Blake, the policeman turned detective that James Gordon takes under his wing.

The Dark Knight Rises is the perfect end to Nolan’s Batman films. The trilogy is rounded up in the best possible way and we have in fact witnessed a classic.

9.5/10

References
The Internet Movie Database
Sky News
Photo Credit- Wikipedia

Inception

Inception
Year: 2010
Director: Christopher Nolan
Cast: Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Ken Watanbe, Marion Cotillard, Cillian Murphy, Michael Caine

In My Own Words
I would have been insanely disappointed if “Inception” had not lived up to my expectations. It’s not often I admit that about a film, or that I even let myself think like that. All I had to do was look at the components that made up this film in order to get excited. The combination of an intriguing storyline, one of the best directors going around at the moment and a stellar cast which includes many an award nominee, what wasn’t there to be excited about?! And....I was not disappointed. “Inception” is pure brilliance. So brilliant that I am afraid my review won’t do it justice. I left the cinema completely speechless and all I could so was hold up 9 fingers to my other half to indicate my rating out of 10.

Unlike many other movies, “Inception” is able to excel on all levels. Many wonderful films will be wonderful for either the acting or the cinematography, but not often does a film come along which excels in both. “Inception” does. Christopher Nolan has placed everything together perfectly and his knack for selecting his cast members is definitely commendable. Personally, I believe Leonardo DiCaprio and Marion Cotillard are two of the finest actors alive at the moment. DiCaprio seems to be getting better and better. In high school, I struggled to take DiCaprio seriously for his heart throb status from films such as “Romeo + Juliet” and “Titanic”. Don’t get me wrong, he was good in both and the movies weren’t bad, but it is hard for actors to be taken seriously when their posters are up in everything 14 year olds locker at school. However, “The Aviator”, “The Departed” and “Blood Diamond” each showed how far this man has come and how he is definitely one of the best actors of our time. And Marion Cotillard, she has the ambience on the screen that the stars of the Golden Hollywood age. Her Oscar winning role in “La Vie En Rose” made the world sit up and take notice of this French star and she has shown her quality continuingly since then in glowing roles in “Public Enemies” and “Nine”.

These are my own words and here is my review.

Review
“What's the most resilient parasite? An Idea.” In this quote, Leonardo DiCaprio’s character, Cobb is speaking about the implantation of ideas in the human mind, although it could well be “Inception” director, Christopher Nolan describing his journey with his new masterpiece. Nolan approached Warner Bros with the idea for “Inception” first back in 2002 without a script, but even without this, both he and Warner Bros knew what they had in their hands. From this idea grew the larger than life and mind-blowing “Inception” which has only just been released now in July 2010. It has well been worth the wait. Nolan could well be one of the best directors of our time. He pushes everything to the limit in this film and every little detail is sewn up tightly and with the greatest care. This film could well be the best of the year.

Cobb and his partner Arthur (Joseph Gordon-Levitt) are in the business of extracting information from the minds of others by exploring their subconscious in their dreams. It seems as though they have nearly come to the end of the road, when Cobb, who is still recovering from the death of his wife, Mal (Marion Cotillard) is approached by Saito (Ken Watanbe) with an offer he can’t refuse. Along with Arthur and the help of architectural genius, Ariadne (Ellen Page) they begin to try and plant an idea in the mind of Robert Fischer Jr. (Cillian Murphy), but little do they know the dark depths they are really exploring of not only Fischer’s mind, but of someone else’s mind that is far more dangerous.

Absolutely everything about “Inception” is amazing. The story is completely original and wonderfully written by Nolan. It is absolutely intriguing and extremely clever, with no stone been left unturned and no questions are left unanswered. Nolan completely captures the dream world and will make you remember things from your dreams that you normally do forget once you have woken up. The whole concept of extracting information from dreams and implanting ideas in people’s dreams is complete genius. The cinematography and special effects are definitely something to write home about and people will leave the cinema talking about their favourite sequences. “Inception” is one of those movies you will have to see at the cinema to get the most out of. The musical score is also perfectly suited to the movie and is able to capture the darkness of the situation at hand.

The acting is superb in “Inception”. The acting and the storyline are what differentiates ‘Inception” from all the other action and sci-fi blockbusters out there. The acting fleshes out the raw human emotion involved in the situations in the films and draws the viewer in even more. The star of the film is DiCaprio and he is back to his high calibre of acting. He draws on his past roles of both the tough talking detective and the sensitive husband and father and combines them both in this role with fantastic results. He is a mystery, but at the same time connects with the audience on many levels. Marion Cotillard is also superb. It is like she plays multiple roles in this film..the loving wife and mother, the unstable wife and mother, the seductress, the evil spirit and the list goes on. She is completely believable and an amazing character who has so much presence and control over the audience every time she appears on the screen. High praise definitely goes to Joseph Gordon-Levitt, Ellen Page and Cillian Murphy. Each of these actors plays a role completely unlike any other role they have every done and pulls it off perfectly, which is rises another praise for Nolan. He cast these actors and pushes them to their limits in roles which they are not known for . Nolan is a director which actors relate to very well, hence why so many actors he has previously worked with keep re-appearing in his films. Many of his co-stars would have had to have been jealous of Gordon-Levitt however, he is part of some of the most awesome scenes in the movie which would have been a real treat to have taken part in.

“Inception” is not to be missed. This is definitely Nolan’s best film to date and he is worthy of every piece of praise that he receives for it. He could have well been responsible for the best film of the year and one can only hope that the academy remembers him come Oscar season next year. There are many awards he and his cast should win for this masterpiece and there is no reason they shouldn’t be remembered next year, as “Inception” is a film that will not be forgotten.
9.5/10