Showing posts with label quentin tarantino. Show all posts
Showing posts with label quentin tarantino. Show all posts

Sunday, January 17, 2016

The Hateful Eight (2015) film review

Year: 2015
Running Time: 187 minutes
Director/ Writer: Quentin Tarantino
Cast: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demian Bichir, Tim Roth, Michael Madsen,. Bruce Dern, James Parks, Dana Gourrier, Zoe Bell, Gene Jones, Channing Tatum

The Hateful Eight is now showing in selected Australian cinemas in 70mm and will have a wider release on January 21, and is distributed by Roadshow Films. Now showing in the United States and United Kingdom.

The Hateful Eight has the unmistakable imprint of Quentin Tarantino's masterful film making with it's cleverly crafted screenplay and stunning, stylish cinematography married with unapologetic, intense violence.

In post Civil War Wyoming, a coach makes it's way across the snowy mountain range with the intended destination of Red Rock while a blizzard is hot on it's tail. The four passengers are bounty hunters Major Marquis Warren (Samuel L. Jackson) and John Ruth (Kurt Russell), Ruth's prisoner and wanted murderess Daisy Domergue (Jennifer Jason Leigh) and Chris Mannix (Walton Goggins), who is to be sworn in as sheriff of Red Rock upon arrival. As the blizzard closes in, they decide to wait in Minnies Haberdashery till the storm passes to continue their journey.  They do not find Minnie, but instead find a full house with Red Rock's hangman Oswaldo Mobray (Tim Roth), Mexican caretaker Bob (Demian Bichir), cowpuncher Joe Gage (Michael Madsen) and General Sanford Smithers (Bruce Dern) all waiting out the storm. The eight are all suspicious of each other and not one will hesitate to pull the trigger if need be.



As the eighth film from the mind of the charismatic Quentin Tarantino, The Hateful Eight's screenplay is a thing of wonder with it's unique and original tale that combines the traditional western with a whodunit thriller. Like all good mysteries, it is completely unpredictable and suspenseful. The film builds suspense and intrigue over it's three hour and 7 minute running time (with overture and intermission included), as it is in the first half that the colourful characters are introduced in great detail and placed in Minnie's Haberdashery. After the intermission, tension is significantly heightened as this is when most of the action takes place and one gets a greater sense of where the story is going. The dialogue is particularly brilliant as it is incredibly well written, witty and rather hilarious at times. With the help of Tarantino's direction, the cast deliver this dialogue with conviction and character.

As can only be expected from a Tarantino cast, each and every one of the featured actors gives a great deal of life to their character and makes them incredibly interesting and enjoyable to watch. Each of the eight who assemble in Minnie's Haberdashery has a great deal of character and although none are particularly likable or attractive characters, they are all terribly intriguing. Each actor gives their all to the character they portray and they all give fine performances. Jennifer Jason Leigh as Daisy Domergue is particularly a stand out. Daisy is absolutely repulsive and perhaps one of the most unladylike females to appear on the screen in recent years, but she is brilliant. The fact that she makes one feel so much disgust at her performance is a credit to her acting and Tarantino's direction. Walton Goggins gives an extremely interesting performance as Chris Mannix with his intriguing delivery of dialogue, as does Tim Roth as Oswaldo Mobray. Both characters are rather hilarious, but are subtly so and in a way that appears non-intentional.


Set in freezing cold conditions, The Hateful Eight is visually exquisite as well as visually graphic and gruesome. The opening shot of a snow covered statue of Jesus on the cross is a sign of the blood shed to come and is rather unsettling for an opening scene, but turns into something beautiful as the camera pans across and then out to reveal the coach making it's way through the snow. These scenes in the snow are absolutely beautiful and are a contrast to the confronting visuals yet to come. The cinematography by Robert Richardson makes the film incredibly atmospheric and is supported by Ennio Morricone's superb score.

However, like the Tarantino films which have come before it, The Hateful Eight will not appeal to those who are not fans of his mode of film making. As much as Tarantino is continuously praised for his stunning direction and wonderful screenplays in each of his films, his body of work is also notorious for it's graphic violence and explicit language. The Hateful Eight is absolutely no exception to this and is perhaps the most violent of his films thus far. Conservative group, the Media Research Centre tallied up 49 acts of violence during the film which include but are not limited to shooting, stabbing and torture. With the first half of the film being dedicated to character development and building the scene, the large majority of these acts occur in the second half. Some of these are rather unnecessary, but are so over the top that if they do not make one feel repulsion, they will make them laugh. Needless to say that those who go queasy at the sight of blood will not enjoy The Hateful Eight, but one does not expect a Tarantino film to be void of blood and gore and to expect it to be so is rather ignorant.

The Hateful Eight is Quentin Tarantino once again pushing the limits of what some may perceive as shock tactics, but is really just what he enjoys building into his storytelling. Once one see's past the intense violence that takes place in the second half of the film, The Hateful Eight is an intriguing piece of cinema which is brilliantly written with superb cinematography and incredibly well-rounded, interesting characters.

8.5/10


Tuesday, January 29, 2013

Django Unchained






Year: 2012
Director: Quentin Tarantino
Cast: Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Samuel L. Jackson, Kerry Washington

Before I begin my review….

Tarantino.

Where do you go from that name? His directorial style is one of the most recognisable in this day and age. He is one of a kind. He is able to do things in his movies that if other people attempted to do, they would be criticised till the cows come home. Yet, when Quentin Tarantino does it, it is considered genius.

Tarantino’s last two films, Inglorious Basterds and Django Unchained have taken him in a new direction with his film making. He does historical films in such a unique way. He doesn’t neglect what makes his film making style recognisable and remembers that making a film is about entertaining as well as informing. Both of the mentioned films are quirky in the Tarantino way, but quirky when you are Tarantino means brilliant.

Honestly, this is one film I would love to see win Best Picture at the Academy Awards.  I think it has everything it takes to win. So it aches to say that I don’t think it is the winner, even though I would love it to be. It may just still be a little too extreme to win. However, it definitely is one of the best films of the year and there are no complaints about it being one of the nine films nominated.

This being said, I think it is a certainty to win Best Writing, Screenplay Written Directly For Screen. Yes, Tarantino did win this award at the Golden Globes so chances are good for him, but it is an amazing script. Brilliantly written and a verbal dream.

Another name which is right up there is an Oscar contender is Christoph Waltz for Best Supporting Actor.  His main competition it would seem is Tommy Lee Jones for Lincoln, but as Lincoln has yet to be released in Australia, I can’t make an informed decision as of yet. I will say that Waltz’s performance in Django Unchained is Oscar worthy. We’ve seen Waltz play the bad guy on a few occasions now, but here he shows his versatility playing the good guy and does so with so much character and charisma that when you leave the cinema, you feel like you want to go and visit him to spend more time with that character.

26 days till the 85th Academy Awards, five more Best Picture nominees to review.

Review

American history gets the Quentin Tarantino treatment in Django Unchained and for that we are thankful.

Django Unchained is thoroughly entertaining and enjoyable. It has heroes to root for and villains to hate, a gripping story and killer script. Like any other Tarantino film, nothing is done with subtlety. Yet, like other Tarantino films, this lack of subtlety is what makes his films so entertaining and the art of film is not lost on his visual extremes.

The year is 1858 and slave, Django (Jamie Foxx)is about to become a free man. German bounty hunter, Dr King Schultz (Christoph Waltz) takes Django under his wing to help him find a set of wanted men, but then seeing promise in him makes him his partner for the winter. As a condition, Dr Schultz will help Django find and free his wife, Broomhilda (Kerry Washington). Before Django and Broomhilda can be together, they have some life-threatening hurdles they must face all in the form of plantation owner, Calvin Candie (Leonardo DiCaprio).

The Tarantino technique of film making makes viewing a historical film unlike any other film in the same category. The way he combines, in this case, brilliant dialogue by colourful characters with amazing cinematography, crazy images and a unique musical score is an absolute winner.

It is not often you watch a historical film that has music which is associated with the present time accompanying it and it actually works for it. Images of slaves heading towards a plantation with rap music playing in the background is something you know isn’t right, but it seems perfect.

The script is just brilliant. The dialogue used throughout the film is perfect for each of the characters and very interesting to listen to. There are some very funny lines in the film, and one scene in particular involving cutting holes in sheets is hilarious.

The characters created by Tarantino, who also wrote Django Unchained as well as directed, are just fantastic. All the main characters have a background and their development is fantastic. You love the good guys and hate the bad guys. The good guys become your friends and the bad guys your evil enemies.

Jamie Foxx is very good as lead, Django (the “D” is silent). He is the perfect example of wonderful character development. He starts off at the bottom of the food chain and you see him change and become arrogant, and then changes again to ensure survival. Django becomes like a rock star who deserves applause and cheering.

However, Christoph Waltz is in a class of his own here. Even though he is being categorised as being in a supporting role, he outshines Foxx in every scene he is in. He has so much charisma and is such an interesting character. Dr Schultz was written so well by Tarantino and brought to life by Waltz in spectacular fashion. This is one director/actor team that can do no wrong, considering this is the second time Tarantino has directed Waltz and could well be the second Oscar win form this partnership.

Django Unchained is the first film in which Leonardo DiCaprio has taken on a villainous character and proved that…yes….this man can do anything. He is terrifying. There is nothing better than when a character is terrifying without needing a scary physical appearance to add to this perception.

Samuel L. Jackson is one that tends to flourish under Tarantino’s light as well. Here he is another great character. Playing Candie’s butler, Stephen, he has hints of being a good guy, but is ultimately evil. He is quite evil, but also provides a few giggles.

Don’t be fooled, this is Tarantino film so there is violence. If you didn’t his earlier films because of the violence and language, don’t think that he has changed this. There is lots of blood spilt and F-bombs dropped, but they aren’t the centrepiece of the film and there is a great movie around it.

Django Unchained is Tarantino’s best film to date (which is no light comment). A quirky film in which everything is exaggerated, but done in the most brilliant way possible.

9.5/10