Lion (2016) film review

Year: 2016
Running Time: 118 minutes
Director: Garth Davis
Writers: Saroo Brierley (adapted from the book "The Long Way Home" by), Luke Davies (screenplay)
Cast: Dev Patel, Rooney Mara, David Wenham, Nicole Kidman, Sunny Pawar, Abhishek Bharate

Lion opens in Australia on Thursday January 19 and is distributed by Transmission Films. Now showing in the United States and distributed by The Weinstein Company.

Based on the extraordinary true story of Saroo Brierley, Lion is incredibly moving, heartfelt and rewarding. It embraces it's themes of identity, obsession and family, while also not being afraid to show the raw emotions behind each of these by making the most of it's phenomenal cast.

In a small Indian town in 1986, a young boy by the name of Saroo (portrayed by newcomer Sunny Pawar) boarded an empty train which took him 1900km away from his hometown and his family. After arriving in Calcutta with no way of knowing how to get home, he braved the dangerous streets before ending up in an orphanage and being adopted by Sue and John Brierley (Nicole Kidman and David Wenham), an Australian couple from the island of Tasmania. 25 years later, Saroo (now portrayed by Dev Patel) is haunted by the ghosts of his past despite living a comfortable and happy life in Australia. He attempts to try and find his way home with the help of Google Earth and embarks on a journey that becomes an all encompassing obsession.

Saroo Brierley's story, as told in his 2013 book "The Long Way Home", is so unbelievable and inspirational that it seems as though it was just destined to be made into a movie. For this reason, it would have been too easy for the filmmakers to purely rely on the story to draw emotion and make it work. However, Lion finds it's strength not just from it's story and Luke Davies screenplay, but also from it's beautiful cinematography by Greig Fraser, haunting musical score by Volker Bertelmann and Dustin O"Halloran and the truly remarkable performances by it's cast.

Lion is not afraid to wear it's heart on it's sleeve. It allows the emotion of the story and it's characters to be shown openly and this in turn allows you, the viewer, to feel openly while watching it. You can feel yourself outwardly expressing your sympathy by frowning in pity for little Saroo as he navigates his way through the Calcutta train station. Young Sunny Pawar plays the character with such endearing innocence that he is heartbreaking as well as heart-warming. You return the smiles from the characters on screen with your own and cannot hold back tears when they are also in tears. It is a tremendous achievement for a film to be able to have so much control over it's audience and at the same time, still allow the audience to feel comfortable.

Saroo Brierley's story may not be one which everyone can relate to, but the themes that are at play as part of the film will strike a chord with many. Lion is at it's core about identity. It is not unusual to hear stories about adopted children who wish to find out more about their birth parents and the circumstances of their early life. This is because they feel the longing to find out who they really are and achieve closure in the process, much like Saroo in this case. He is torn between his Indian heritage and his Australian upbringing and feels that by finding his family, he will be able to close that door in his past. This quest to find that missing piece of himself becomes his obsession, as it takes over every aspect of his life. His mind is so preoccupied that he starts to lose himself inside his obsession.

It is during these moments when the obsession with the unknown takes over in the film that Dev Patel truly shines. From his first moment on screen in the Tasmanian waters, Patel is an absolute joy to watch. He completely embodies the young Australian man (with an incredibly convincing accent) who is struggling to find out who he truly is and disappearing into his long restrained pain and torment. Patel is truly magnificent in the final scenes of the film and leaves a lasting impression with his superb performance.

The third theme is that of family, which is seemingly obvious considering the story. In particular, the film looks at the bond between Sue Brierley and her sons, Saroo and Mantosh (Divian Ladwa). Lion is a tribute to mothers everywhere, but in particular to those who have adopted children and love them unconditionally. Nicole Kidman does beautifully in representing these mothers and gives an incredible performance as Sue Brierley.

Lion is an incredibly beautiful and moving piece of cinema that is emotional in the most comfortable, gratifying and uplifting of ways.

9/10

The Lunchbox (2013)

Year: 2013
Running Time: 104 minutes
Director: Ritesh Batra
Writer: Ritesh Batra
Cast: Irrfan Khan, Nimrat Kaur, Nawazuddin Siddiqui

The Lunchbox is a charming film which restores faith in the romance genre. It is a breath of fresh air into the masses of romance films which have crowded our cinemas in the past few years with overly stereotypical and predictable elements. The Lunchbox is exceptionally sweet and even though the story is quite simplistic, it accomplishes so much around this story of two lonely people who find each other in the most unusual fashion. While it is culturally significant to modern day India, the threads of romance laced through the film are rather old fashioned in a most welcomed way. The Lunchbox is tantalising, heart warming and aesthetically pleasing with it's wonderful visuals of Indian cuisine.

Mumbai's lunchbox system has always had a reputation of efficiency with there being very little chance of a person being delivered the wrong lunch. It is close to an impossibility, which is why it is so unusual when lonely wife and mother, Ila's (Nimrat Kaur) home cooked meal for her husband gets delivered to the wrong person. Her meal finds Saajan Ferndandes (Irrfan Khan), a reclusive widower who is preparing for retirement. The two begin an exchange of letters through the lunches and find that this exchange is what makes the difference they have both been craving in their lives.

Just when it seems like the romance genre has nothing new left to offer, along comes a film like The Lunchbox. It avoids all the stereotypical elements of a love story which usually play a huge part in the predictability of such films. It explores the lost art of penpalling in an original form and is slightly reminiscent of such films as The Shop Around The Corner and You've Got Mail, but only in the sense that the two lead characters are exchanging letters and forming a relationship with each other by doing so. Not only does the film follow paths not normally explored by other films in its genre, but it also keeps the viewer guessing right till the end and also beyond. It has an overall feel good atmosphere to it, but it is also deep and sensitive to the emotional hardships of life and love.

The Lunchbox is a wonderful cultural study of modern day Mumbai. The lunchbox system is one which people in western culture who have never visited India would not be familiar with and the film gives a wonderful introduction to it. Visually, The Lunchbox excels on so many levels. It does brilliantly at capturing life in Mumbai domestically, and also in an office environment. The first few shots of Mumbai in the rain first thing in the morning gives the impression of chaos, but is it is incredibly interesting chaos and quite an intriguing snapshot of life in Mumbai. The whole film contains many location shots which cannot be described as neat such as cluttered offices and homes, but there is beauty in the mayhem with the way it is charmingly shot. Yet, what leaves the greatest impression on the viewer is the wonderful food which is part of the character's lunchboxes. The Indian cuisine does not only look delightful on film, but the way in which the characters react (especially Saajan) to it allows you to imagine you can also smell the incredible aroma of the food and taste the spice.

There is a wonderful sense of character development in The Lunchbox. Each character changes throughout the film and their relationships with each other play a big part in this development. Irrfan Khan is very, very good as Saajan. He changes in a great way throughout the film and connects with the audience on an emotional level. This connection allows you to understand, admire and empathize with him in a way which resonates long after the film is over. It is beautiful to see how his relationship with Ila and his work colleague, Shaikh (Nawazuddin Siddiqui) change him and bring life, love and happiness back to his life.

Nimrat Kaur gives a beautiful performance as Ila. She starts off fragile and sad, but becomes a strong female character. Nawazuddin Siddiqui's Shaikh is a fantastic character. He has had such a tough life, but his spirit is contagious. It is obvious that his hardships have effected him, but his happiness and eagerness is beautiful. His character is so beneficial to the film as he is one of the biggest reasons Saajan learns to embrace life. Ila and Saajan may be the lead characters of the film, but Shaikh's presence is so important to their lives and relationships.

The Lunchbox is the film that sets the benchmark for romance films. The elements of it's genre are packaged in a most original way and delivered with beauty and charm within the chaos of it's world.

8.5/10