Showing posts with label Elizabeth banks. Show all posts
Showing posts with label Elizabeth banks. Show all posts

Tuesday, March 28, 2017

Power Rangers (2017) film review

Year: 2017
Running Time: 124 minutes
Director: Dean Israelite
Writers: Haim Saban (based on "Power Rangers" created by), Matt Sazama, Burk Sharpless, Michele Mulroney and Kieran Mulroney (story by), John Gatins (screenplay)
Cast: Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin, Becky G., Bryan Cranston, Elizabeth Banks, Bill Hader (voice)

Power Rangers is now showing in the United States and Australia. Distributed by Roadshow Films in Australia.

In yet another 2017 action reboot,  the goofy and self-important Power Rangers attempts to target the teenagers of today, while at the same time unintentionally neglecting their first and loyal generation of fans.

Jason Scott (Dacre Montgomery) was always the cool kid at school, until a mindless prank ruins his future chances of doing anything incredible while he is still a senior. During his time in detention, he meets the recently outcast Kimberly (Naomi Scott) and eccentric Billy (RJ Cyler). His unlikely new friendships with these two lead the three of them to uncover the site of an ancient alien spacecraft, along with other fellow students Zack (Ludi Lin) and Trini (Becky G.). The five discover that they have been chosen to be the five Power Rangers who are to help Zordon (Bryan Cranston) protect the world from the evil Rita Repulsa (Elizabeth Banks). First, they must learn to work together to become who they are meant to be.

Power Rangers, which is based on the 1990's television show "Mighty Morphin Power Rangers", is stuck in a time-warp believing that it is still primarily targeting the same young audience that it once was. However, with taking on a project like this, director Dean Israelite and screenwriter John Gatins have an inbuilt responsibility to also cater for the faithful who were fans of "Mighty Morphin Power Rangers" in their childhood. As a result, Power Rangers works rather well as a film for teenagers with it's simplicity, basic dialogue and themes, characters and stereotypes that are relatable for the high school demographic.

However, this clear vision of the filmmakers to make a superhero film about teenagers for teenagers neglects the majority of Power Rangers audience members....those who watched, loved and were faithful to the television show a good 20 years ago. These long time fans will find the film and it's screenplay a little too basic and silly to completely enjoy. While the action sequences are impressive, there are definitely not enough of them to make the film particularly fun or entertaining to adults who are used to watching more challenging action films brought to us by Marvel and DC. However, there are still reasons to believe that this fragment of the audience has not been completely forgotten as there are a number of shout-outs to the original television series, including the famous "It's Morphin time".

What has most noticeably changed from the 1990's Power Rangers is that the 2017 Rangers are more diverse than they have ever been....and this isn't in regards to race. The filmmakers have made sure that all teenagers who feel as though they are out of place in the world feel inspired by watching Jason, Kimberly, Billy, Zack and Trini. The five rangers are all considered misfits as they do not fit in at their school and in a very The Breakfast Club-esque turn of events, are all part of their school's Saturday detention. However, despite their inability to fit in, they all do incredible things. Most notable of these new special qualities are that of Billy having ASD (Autism Spectrum Disorder) and Trini being acknowledged as queer.


While it is absolutely a step in the right direction having a teenage queer superhero, there is too little done with this to make a real impact and truly feel ground breaking. Director Isrealite told The Hollywood Reporter that he wanted the moment that Yellow Ranger Trini subtly reveals to her new friends that she is not straight to encourage teenagers to believe that "That's OK". However, there is so much more that could have been done with this scene and it's aftermath that would have made it much more of a triumph for the LGBTIQ community, especially for it's younger members. In the scene where Trini "almost" makes her confession, it is still unclear whether she has just revealed her true sexual orientation or not. Israelite says in The Hollywood Reporter article that she is still confused and questioning (as many teenagers are at that point of their life), but this part of the scene seems too vague to be considered powerful. Again, it is no doubt that Trini being acknowledged as queer is a very positive step for both the action film genre and high school sub-genre, but it was an opportunity that deserved to be made more of.

Unfortunately for Becky G.'s Trini, her character development is exceptionally weak which is a travesty considering how pivotal her role is to the film and to cinema. The same can be said for Ludi Lin's Zack, as it is Dacre Montgomery's Jason, Naomi Scott's Kimberly and RJ Cyler's Billy who certainly have more screen time and as a result, their characters are dissected a great deal more. Montgomery, Scott and Cyler all do rather well in their roles and know their characters well enough to give convincing and well-rounded performances.

Elizabeth Banks' villainous Rita Repulsa is a great disappointment. When she first arrives into the modern day, she is truly terrifying. If she had kept the same twisted, ancient features she has in her first few scenes throughout the whole film, Power Rangers would have been a great deal more thrilling. However, the longer the film goes on, the more unintentionally comical and weak her character gets with some atrocious lines of dialogue. In her final scenes, she really is nothing more than a 90's young adult television show villain and this does nothing for the film.

The masses who will be flocking to see Power Rangers for a piece of nostalgia from their childhood will be disappointed with what they see. The film and it's story have not grown up with their audience and while there is a slight element of fun in the film somewhere, it is one of the more forgettable reboots and remakes.

4/10

Saturday, May 23, 2015

Pitch Perfect 2 (2015) film review

 


Year: 2015
Running Time: 110 minutes
Director: Elizabeth Banks
Writer: Kay Cannon
Cast: Anna Kendrick, Rebel Wilson, Brittany Snow, Hailee Steinfeld, Adam DeVine, Skylar Astin, Katey Segal, Alexis Knapp, Ester Dean, Ben Platt

Pitch Perfect 2 is arguably the biggest female empowerment film of the year. With Elizabeth Banks making her debut in the director's seat, the film speaks (or sings) loudly of the strength of women and minorities in society and does so with incredible wit and humour. All girl acapella group, the Barden Bellas have been reigning as champions for the past three years, but it seems that their winning streak has come to a grinding halt when Fat Amy (Rebel Wilson) accidently exposes herself in front of an audience that includes the President of the United States. As a result, the girls are competition wise, but through a loophole they still able to enter the international acapella championships which no American team has ever won. The girls find that they feel extremely out of their comfort zone when they size up the competition and find that they may have to search for their sound once again.

This foot-tapping sequel to the original 2012 film is incredibly witty and funny, but at the same time is far more layered than a musical comedy set on an American college campus has any right to be. The script by Kay Cannon is exceptionally well written and with Elizabeth Bank's tight direction gives a combination that works exceptionally well and takes full advantage of the colourful characters already established in the first film. Pitch Perfect 2 is indeed predictable as is expected and desired by it's target audience. A trap that many film makers fall into when making sequels is to take what made the first film work and give the audience more...which can more often than not lead to over-exaggeration and annoyance. Pitch Perfect 2 does do this, but it does it in an unique way that makes it work by explaining to the audience why it is doing this. For example, the second film contains a great deal more of Fat Amy and her antics, who was a crowd favourite in the first film. However, the script actually explains why her antics are exaggerated and this is because Fat Amy never does anything by halves. It's in her character to do everything on a massive scale. By doing this, the film actually explains why certain aspects of it are exaggerated and this works in the film's favour.

The film's sense of humour is particularly unique. It avoids being chastised for any prejudice by purely making fun of absolutely everybody. Nobody is safe....no nationality, no body size, no sexual orientation and even no hair colour. This type of sarcastic humour would have the prospect of being construed as completely offensive if it weren't so incredibly over the top that it can hardly be taken seriously. However, what can be taken seriously about Pitch Perfect 2 is it's strong message of female empowerment. With a string of strong female characters who are superior to the male characters in every way, their rendition of BeyoncĂ©'s "Run The World (Girls)" is the perfect anthem. On the other hand, the original song "Flashlight" (sung by Hailee Steinfeld) is the anthem for sisterhood and the important message of women working together.


It does not come as a surprise that Pitch Perfect 2's soundtrack is one of the greatest positves of the film as it is a modern musical film relevant to today's sound and it's predecessor's soundtrack was an enormous success. Fans of the 2012 film will be pleased with the return of "Cups" by Anna Kendrick which was made popular in the first film, but will also be happy to see that Mark Mothersbaugh has kept up with the top chart music of 2015 so far and placed songs in the film where they bring out the most in the scene.

The majority of the cast from the original Pitch Perfect film return for the second and reprise their roles with the same strength of character that they did in the first. Anna Kendrick returns as Beca Mitchell, the leader the of The Bellas and is once again the heroine which every girl can relate to. She is incredibly real and although Beca is one to put up a tough front, has her beautiful moments of frailty. Rebel Wilson is once again very funny as Fat Amy, but for some there may be just a little too much Fat Amy screen time wise if you are not a fan of her sense of humour.

Hailee Steinfeld is a newcomer to the Pitch Perfect universe as Bella legacy, Emily. From the very first moment she is incredibly likeable with her naivety but quirky streak that gives her a wonderful sense of humour. Director Elizabeth Banks and John Michael Higgins return as acapella commentators and experts Gail and John are truly hilarious with some of the most memorable quotes of the film.

Pitch Perfect 2 will undeniably thrill anyone who was a fan of the first film. Although those who haven't seen the first can also enjoy, it is recommended that the first is seen so the characters are greater understood. The film is a huge amount of fun that has the talent to create many smiles, laughs and impromptu dance moves.

8/10


Sunday, November 16, 2014

The Hunger Games: Mockingjay-Part 1 (2014) film review

Year: 2014
Running Time: 123 minutes
Director: Francis Lawrence
Writers: Suzanne Collins (based on the novel by), Peter Craig and Danny Strong (screenplay)
Cast: Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Philip Seymour Hoffman, Julianne Moore, Donald Sutherland, Elizabeth Banks, Woody Harrelson, Sam Claflin, Natalie Dormer, Jena Malone

The Hunger Games: Mockingjay- Part 1 will be released in Australian cinemas on November 20 and is distributed by Roadshow Films. To be released in the United States on November 21 and the United Kingdom November 20.

The Hunger Games: Mockingjay- Part 1 takes place in the days following the dramatic finale of The Hunger Games in which Katniss Everdeen (Jennifer Lawrence) was rescued and taken to the once thought destroyed, District 13. While Plutarch Heavensbee (Philip Seymour Hoffman) and President Alma Coin (Julianne Moore) expect Katniss to be grateful for her rescue, all she can think of is how Peeta (Josh Hutcherson) is now in The Capitol as a hostage and must be rescued. They inform her that they wish to make her the Mockingjay, the face of the rebellion against the Capitol to free the people of Panem. Katniss is hesitant at first, until she sees the destruction of her home, District 12 and agrees to become the Mockingjay with the condition that the victors being held hostage are brought to District 13.

Unlike the first two films in The Hunger Games franchise, Mockingjay- Part 1 has lacked the excitement and feeling of importance in the lead up that one feels it should possess to maintain the enthusiasm for the phenomenon. Making the final book in The Hunger Games trilogy written by Suzanne Collins into two separate films was always going to be problematic from a narrative and excitement point of view as it is only the half telling of the explosive final book. As the third but not final film in the series, the release of Mockingjay- Part 1 isn't as anticipated as the first and second films and without a doubt as the final film to be released late 2015 will be. The initial The Hunger Games film was highly anticipated as the popular and much loved novel was being introduced to the screen, as was Catching Fire because of the pressure to maintain the high standards set by the first film and the finale is always awaited for the obvious reasons.

What this has meant for the film is that it was going to have to be something truly special to prove that just because it is only half of the finale, it deserves as much love as every other film in the franchise. The verdict is that Mockingjay-Part 1 is a fine film, but still has the resonating feeling that it is a bridge rather than an island. It merely feels as though it is connecting Catching Fire and Mockingjay- Part 2 rather than it being a film that could stand alone if it wanted to. This was an inevitable problem of the final book being split into two and one that was always going to be an enormous challenge to overcome. However, it is easily recognised that Mockingjay would have either been incredibly rushed or at a running time of close to four hours had it been one film so the idea of having a two film finale cannot quickly be dismissed as a negative. Writers, Peter Craig and Danny Strong have done a fine job of fleshing out the right aspects of the book for the film and have left the story hanging promptly for the final film.


Mockingjay- Part 1 has a rather different feel to it than the first two films as Mockingjay is more about the aftermath of The Hunger Games rather than the games themselves.  The film gives an accurate depiction of the hardships inflicted on civilians by warfare and of the creation of hope in such times. The visuals of the destroyed District 8 and 12 are incredibly moving, but they are also a spectacular CGI creation. The action that ensues is brief, but well constructed and suspenseful. The film also does a wonderful job at demonstrating how hope is built in such a time, which includes an interesting insight into the creation of propaganda. The process can almost seem comical at times, but the end result is one of the utmost sincerity. The scene in which Katniss sings "The Hanging Tree" is a beautiful, peaceful moment in the film and the musical score throughout the whole film is quite beautiful.

In Jennifer Lawrence's third outing as Katniss Everdeen, she proves that she has not lost momentum with the character and that she is growing with her. From the opening moments of Mockingjay-Part 1, Lawrence once again gives a wonderful performance as a character who has trouble relating to most people as a result of the hardships she has been through and has incredibly complex internal battles taking place. It is a rather solemn and cheerless performance, which is exactly what the film calls for.

Mockingjay-Part 1 has an incredible cast and the majority do a wonderful job. Josh Hutcherson is on screen for a very short amount of time in comparison to his co-stars, but makes a great impact with the time he has. Liam Hemsworth, on the other hand, doesn't give much in his performance, which is surprising as he has a great deal to do in the film.

Elizabeth Banks as Effie Trinket gives a performance quite unlike that of the past Hunger Games films. As times have changed, Effie doesn't seem to be the same woman she was as she has been deprived of her luxurious clothes and make-up. However, Banks proves that it is not the clothes that make the character as she is still the complete embodiment of the eccentric Effie in manner and posture even when wearing the plainest of outfits. Natalie Dormer as Cressida becomes a character quite unlike those she has been known to play and proves her versatility as an actor.Donald Sutherland is the perfect brand of evil as President Snow and one looks forward to seeing a great deal more of him in Mockingjay-Part 2.

The Hunger Games: Mockingjay- Part 1 is placed in an interesting situation in relation to the other films in it's series. It's anticipation isn't as great as it's place and existence ensures that it will not be the strongest nor most entertaining film of the franchise, which is proven to be true. However, the subject material is fleshed out as much as it can be and what the film does well, it does very well.

7/10


Saturday, December 21, 2013

Love, Marilyn (2012)

Year: 2012
Running Time: 107 minutes
Director: Liz Garbus
Writers: Liz Garbus (written by). Truman Capote, Elia Kazan and Natasha Lytess (excerpts from memoirs), Marilyn Monroe and Ralph Greenson (personal papers), Norman Mailer and Gloria Steinem (excerpts from book), Norman Rosten (excerpts from poem), Billy Wilder (excerpts from letters)
Cast: Marilyn Monroe (archive footage), F. Murray Abraham, Elizabeth Banks, Adrien Brody, Ellen Burstyn, Glenn Close, Hope Davis, Viola Davis, Jennifer Ehle, Ben Foster, Jack Huston, Stephen Lang, Lindsay Lohan, Janet McTeer, Jeremy Piven, Oliver Platt, David Strathairn, Lili Taylor, Uma Thurman, Marisa Tomei, Evan Rachel Wood

Now available on DVD through Madman Entertainment. Available to buy from Amazon

Even today, 51 years after her untimely death, Marilyn Monroe remains one of the most popular movie stars in the world. Her name conjures up images of old Hollywood glamour and a brand of sexuality that she brought not only to the screen, but to the forefront of society. Many girls and women still name her as one of their idols as they look up to her for her beauty and talent. We all know who Marilyn Monroe was, but who was Norma Jeane Baker?

Recently two boxes of personal letters and writings of Marilyn Monroe's were discovered in storage which have been able to give us a look deep into the mind of the classic actress. Love, Marilyn is an in depth documentary on the life and inner torment that plagued Marilyn/Norma Jeane. Director and writer, Liz Garbus has employed an unique approach to exploring in great depth who this woman really was, as several well known actors recite Marilyn's own words and the words of other notable Marilyn Monroe biographers and those who knew the woman herself. Accompanied by incredible archive footage of Marilyn before and during her career, as well as interview with people who had come into contact with her including her Gentlemen Prefer Blondes co-star Jane Russell and ex-husband playwright Arthur Miller.

Love, Marilyn is incredibly touching, especially to those who are fans of her or who have studied her career and her persona. With the discovery of her personal writings and the way which they are incorporated into the film, it is as though we can really hear Marilyn talking to us. Marilyn was an extremely complex and interesting person and her words are haunting. It is really devastating how when her words are being spoken, we are seeing the actual documents which the words are being spoken from on the screen. Although when spoken by these actresses, you do forget for a moment that they are Marilyn's words because you are not hearing the husky voice which Marilyn was so popular for, but when you actually seen her handwriting you are instantly reminded of this fact. The film is incredibly sympathetic towards her and does the best job of any documentary previously released of getting to the core of who the woman underneath the Marilyn Monroe persona was.

The film is really like watching a biography play out on screen. This is of course what a documentary is, but Liz Garbus's film is like the perfect Marilyn Monroe book. There is insight from the ones who knew her and also from historians who have studied her life in great detail. Yet it is better than a biography as you are able to really see the visuals of her writings, film clips and amazing archive footage of Marilyn's early modelling days and interviews. Love, Marilyn doesn't flow from the beginning to end in chronological order, but visits her troubled childhood when discussing how Lee Strasberg started to work with her. This does work because it is able to continue the audiences empathy with Marilyn throughout the film at appropriate intervals.

Although as off putting it can be to see and hear other actors speak as Marilyn and not have any of the same mannerisms, the actors who are speaking as her do a good job, particularly Marisa Tomei, Jennifer Ehle and Uma Thurman. The male actors also do wonderful jobs. The stand outs for the men are Jeremy Piven speaking as Elia Kazan, Ben Foster as biographer Norman Mailer and Oliver Platt as Billy Wilder.

Personally, Love, Marilyn brought up a lot of feelings about Marilyn Monroe which I have felt over the years. After seeing several of her films, I decided to read Barbara Leaming's biography "Marilyn Monroe" to find out more about this character. What hit me upon finishing this book was how incredible it was that Marilyn really had  no ego and was plagued by depression and self esteem issues her whole life. I understand why she did have so many psychological problems as having a loveless childhood will do that to anybody, and none of that was ever her fault. Her self underneath the persona of Marilyn Monroe was shaped by the tragedies in her life which always coincided with feelings of abandonment, lack of love and that constant feeling of not being good enough. Marilyn Monroe was always a persona, she was never really that person underneath all the make up and beautiful clothes. She was little Norma Jeane who just wanted to be loved, taken care of and wanted desperately for someone to take her seriously.

Marilyn once said "Men go to bed with Marilyn Monroe and wake up with Norma Jeane". This quote always makes me feel numb. This poor woman wanted so desperately to be loved, but not for the character that made her a star. However, as her third husband, Arthur Miller found, she was often emotionally unstable as a result of this feeling of being unloved. She never felt that she was good enough or that she was ever taken seriously.

This floors me. Again I can understand why she felt this way as she was never really acknowledged for her acting, although towards the end of her career she absolutely showed what she was capable of in films like Bus Stop, The Prince and The Showgirl, Some Like It Hot and The Misfits. How could this be? This movie star who will always be remembered and who is still one of the icons of Hollywood, was afraid that people saw her as a joke and would never remember her? It's a devastating thought. Marilyn will be remembered forever. I wonder if things would have been different for her if she somehow knew that half a century later she would still be talked about her image seen by millions, even if they haven't seen her films. It's a tragedy how short her life was cut. As it is said in Love, Marilyn, the days before her death were filled with positives and I would love to think that this was just the start of amazing things for her.

Marilyn Monroe is such a tragic figure. To many she is a icon of beauty and glamour, to me she represents sadness and tragedy that plagues many of us. I love learning about her and she is an extraordinary character to study, but I feel an overwhelming sense of sympathy for her and I am so sorry she didn't know or live to find out how wonderful she really was. Love, Marilyn brought up these feelings again for me, and there is no doubt that it will have the same effect on others.

8.5/10




Thursday, November 21, 2013

The Hunger Games: Catching Fire (2013)

 
Year: 2013
Running Time: 146 minutes
Director: Francis Lawrence
Writers: Suzanne Collins (book), Simon Beaufoy and Michael Arndt (screenplay)
Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Elizabeth Banks, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Stanley Tucci, Lenny Kravitz, Willow Shields, Sam Claflin, Jena Malone

The Hunger Games: Catching Fire is now showing in Australian cinemas and is distributed by Roadshow Films. Opening in the UK on the 21st of November and in the USA on the 22nd of November 2013.

The Hunger Games: Catching Fire is without a doubt one of the most highly anticipated films of the year. Fans of "The Hunger Games" book trilogy by Suzanne Collins and 2012's The Hunger Games have been anxious to see whether Francis Lawrence's direction do the second instalment to The Hunger Games the justice it deserves.

Everyone can breathe a sigh of relief. Catching Fire is a wonderful follow up to the first film and in many ways actually better. Francis Lawrence has done a great job directing a very well adapted screenplay by Simon Beaufoy and Michael Arndt and has created a suspenseful and very emotional at times film. Jennifer Lawrence shines in her second venture as Katniss Everdeen and is surrounded by a number of intriguingly well-rounded characters.

After winning the 74th Hunger Games, District 12's victors, Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) are about the embark on their victor's tour of the districts. Although the two are still carrying on their love affair for the cameras in order to stay alive, Katniss is confused about whether she does have feelings for Peeta outside the arena, or if she is meant to be with her long time best friend, Gale (Liam Hemsworth). However, Katniss has more pressing matters than her love life at the present time. President Snow (Donald Sutherland) has his eye on her every move as his citizens see her as a beacon of hope and her actions have inched the districts closer to a rebellion. With the 75th Hunger Games approaching, Snow does the unthinkable and announces that the pool of tributes will consist of past Hunger Games victors, which means that Katniss is definitely heading back into the lethal world which haunts her dreams every night.

With an influx of young adult book series being made into films and not all of those adaptations praise-worthy, Catching Fire is in a class of it's own. Not only is it a wonderful adapted screenplay, but it is one of the rare second films that may well be better than the first. Lawrence was a perfect choice for director for the second film as he has brought out the best in his actors and by doing so has made the characters personalities stronger by showing their raw emotions in a more powerful way than what we saw in The Hunger Games.

A lot happens in Catching Fire's 146 minutes. Such a running time would normally seem like an eternity in a movie theatre, but every scene is essential and contributes to the greater picture. In addition to that, every scene is intriguing and creates some sort of emotion. There is also a great deal more tension and suspense leading up to the finale than in the first film. The ending is done absolutely perfectly as you feel you are at the very height of suspense, and it leaves you wanting more and wanting the third film, Mockingjay Part 1 to be released sooner rather than later. It is an incredible thing for a film to be two and a half hours long and to leave you wanting more.

There are a great deal of close-up camera shots of the characters throughout the film, particularly of Katniss. These close-ups allow the audience to grasp every bit of emotion the character is feeling and you are able to tell so much by looking closer. There are also some very fast camera movements whilst in the Hunger Games arena. Although these can be a tad dizzying at times, it feels as though they were employed to represent the mayhem that the Hunger Games arena creates and the sense of always being on the look out and on edge. The actual landscape shots of the Hunger Games arena are also quite stunning.

The centre and heart of the film is absolutely Jennifer Lawrence. From the very first shot, Lawrence is perfection. When we first see her sitting beside the lake, we understand so much just by looking at her. Just from seeing her facial expression, we can tell that she is psychologically exhausted and still very much recovering from her time in the arena. Her performance packs a bigger punch than that of the first film and is much more emotionally charged. She is truly brilliant and the perfect heroine. What is so great about her Katniss is that she is effortlessly strong and a beacon of hope by being the person she is. It would be so easy to seem corny when acting as a symbol of strength, but there is absolutely nothing corny about this performance at all. Lawrence is just a powerhouse from beginning to end and her last scene is a perfect example of this strength.

Josh Hutcherson does well as Peeta, and continues to be such a likable character. Liam Hemsworth has a greater role as Gale than in the first film, and he also does very well with what he has been given. Both Woody Harrelson and Elizabeth Banks, as Haymitch and Effie are both full of character and are a pleasure to watch. Donald Sutherland is particularly terrifying in such a subtle way, and it is the subtlety that makes him so unsettling as President Snow. Lenny Kravitz is an audience favourite as Cinna. His performance, like Sutherland's, is subtle rather than over the top, but his loyalty and love he shows for Katniss is so endearing. Jena Malone is also wonderful as tribute, Johanna Mason. Johanna was again a character that could have been made to seem corny, but Malone is so natural and real in this role and her obvious anger actually makes her very likable.

While Catching Fire is a wonderful film, it is still not a stand alone film and it is absolutely crucial that you see the first film before you see this one. That shouldn't come as a huge surprise as this is part of a trilogy, not a sequel so it can hardly be seen as a negative aspect of the film. For those who love The Hunger Games movie or books, there is no disappointment to be had here.

8.5/10



You may have also seen Jennifer Lawrence in.....
Silver Linings Playbook as Tiffany
X Men: First Class as Mystique

You may have also seen Liam Hemsworth in.....
Paranoia as Adam Cassidy