Zombieland: Double Tap (2019) film review

Year: 2019
Running Time: 99 minutes
Director: Ruben Fleischer
Writers: Dave Callaham, Rhett Reese and Paul Wernick
Producer: Gavin Polone
Cast: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Zoey Deutch, Rosario Dawson, Luke Wilson, Thomas Middleditch, Avan Jogia
Zombieland: Double Tap is now in cinemas everywhere and is distributed by Sony Pictures.

Zombieland: Double Tap is exactly the type of movie needed if you, like so many others, need the right amount of silliness and apocalyptic zombie violence to get you through the annoyance of the world in the current state it is in. Never taking itself too seriously and having a clear sense of what it is, the sequel to 2009's Zombieland is a complete riot and brainless fun. Pun intended.

The horror sub-genre of zombie films has become overly saturated in recent years, and one would be forgiven for wondering why and if we really needed a sequel to Zombieland. The truth is that we never needed Double Tap and there is really no reason at all it had to be made as it doesn't offer anything new or different to either the genre or the first film. However, in the name of ridiculous and ludicrous fun, it is definitely not a crime against humanity that it exists. Zombieland: Double Tap offers up a form of violent and often random comedy with plenty of action-packed horror sequences that makes it entertaining and enjoyable.

Taking place a decade after we first met Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone) and Little Rock (Abigail Breslin), the four are still surviving the zombie apocalypse and have arrived at the home to beat all homes, the White House. Their new place of residence is an amusing choice to have as in Zombieland's alternate universe (which would be our current reality), nothing happening in the White House is comical. So using this opportunity to lighten the tension felt towards American politics and turn it to laughter through this film is a blessing. The Double Tap screenplay really does not have much to offer that is different to the first film or unpredictable. It is another tale of survival in a world that has been taken over by the undead, while trying to maintain the need for regular human needs and wants and social interaction. As expected, the two often collide with each other. Breslin's Little Rock, in particular, struggles with still being the baby of the group, although she is now an adult and wants to have experiences typical to her age.

The film completely delivers on it's promise of action with various spectacular and gory forms of zombie death at the hands of Columbus, Tallahassee, Wichita, Little Rock and the fiery and heroic Nevada (Rosario Dawson). Double Tap also delivers on the promised laughs, but is still not immune to several attempted jokes falling flat, including the needless and ridiculous post-credits scene. Harrelson and Eisenberg deliver many of the laughs with their wit, as does Stone with her brand of sarcasm. While Breslin, unfortunately, struggles to keep up with the comedic ability of her co-stars with her character being completely bland and uninteresting.

Yet, it is Zoey Deutch as clueless Madison who steals the show in every scene she is in. Madison is stuck in the image of the late 2000's then Hollywood It girl, Paris Hilton, but is light years more hilarious than anything that was seen on "The Simple Life". The character is one that shouldn't work and would be painful and offensive if anyone else but Deutch had played her. Instead she adds to the hilarity and fun of the film, which is a credit to Deutch as a comedy actor.

It is true, Zombieland: Double Tap doesn't need to exist. However, a film that is as mindless as this with its thrilling action and comedy is a great thing to have exist in this world whether it is needed or not.

6.5/10

The Edge of Seventeen (2016) film review

Year: 2016
Running Time: 104 minutes
Director/Writer: Kelly Fremon Craig
Cast: Hailee Steinfeld, Woody Harrelson, Kyra Sedgewick, Blake Jenner, Haley Lu Richardson, Hayden Szeto

The Edge of Seventeen is now showing in cinemas everywhere and is distributed in Australia by Roadshow Films.

Kelly Fremon Craig's directorial debut, The Edge of Seventeen is the perfect fusion of wonderful, witty comedy and that type of horror you only get by watching someone who is way too much like yourself or past self that it is frightening.

Nobody knows more about the divide between the cool kids and the rest more than high school junior, Nadine (played by Hailee Steinfeld). While her brother, Darian (Blake Jenner) is the blessed sibling who "naturally excels at everything", Nadine constantly feels like the outcast and even more so when Darian starts dating her best and only friend, Krista (Haley Lu Richardson). Of course, she overdramatically disapproves of the match and without Krista by her side, Nadine's problems seem to snowball. She finds unexpected solace in her classmate, Erwin (Hayden Szeto) and teacher, Mr Bruner (Woody Harrelson), but she first must learn how to live with herself before she can tolerate those around her.

The Edge of Seventeen is incredibly character driven and it is these characters along with the entertaining screenplay and fine performances that take the film from run-of-the-mill teen flick to something with a much wider appeal. Hailee Steinfeld gives an incredibly inspired performance as Nadine, the sassy, but painfully narcissistic teenager. Despite her misgivings and unfavourable qualities, she is such an accurate representation of a girl of her age that it is actually questionable if you cannot see fragments of your old self in Nadine.

Watching Nadine brings out the same sort of thought process one would have when watching a horror or thriller, but instead of saying "Don't go through that door" or "Don't go up the stairs", you are saying "No no no...don't do that!" and "Don't say that!". Then comes the horrible realisation that even though you are watching Nadine and thinking how terrible her lack of judgment is, you are really having an out of body experience watching yourself as a teenager.

There are plenty of things that come out of Nadine's mouth that will stir memories of things long forgotten for the viewer. For example, Nadine is a virgin and really knows nothing about sex, but talks like she does when she clearly has no idea what she is talking about. Something that everyone will be able to relate to is Nadine saying that she would like to believe that her problems are bigger than everyone else's". From the outside looking in, she sounds incredibly narcissistic, but narcissism is part of being a teenager. At that age, life is so confusing and there are so many new emotions to be felt that it is difficult to understand and grasp the concept that we are not the centre of the universe and that others are feeling similar to us or even worse.

However, one thing that is not quite as relatable and is the one thing we can envy, is Nadine's manner of speech. Her dialogue is cutting, witty and hilarious and this is what gives the film such an amusing edge. Steinfeld shows her wonderful comedic timing in her natural and unforced delivery of this wonderful dialogue and steals and dominates every scene she is in. Her Nadine also embodies the idea that the world views us the way we view ourselves. She see's herself as awkward and tells herself to stop acting so, making it inevitable that she will behave more awkward in social situations.

Despite the film being primarily about Nadine, all of the characters are well crafted and incredibly interesting to watch. What The Edge of Seventeen does so well is that it highlights the imperfections in it's characters, but does not substitute this for their likability. These imperfections merely show that as we grow up, we still never quite figure it all out and that we are never completely rid of bad judgement. This is especially evident in Nadine's mother, Mona (played by Kyra Sedgewick), who one cannot help but feel that she is a bad influence on her daughter. Woody Harrelson's Mr Bruner is far from perfect and is blunt and unrelentless, but still remains a lot of fun to watch.

The Edge of Seventeen is so relatable that it would be frightening if it wasn't so hilarious with it's brilliant screenplay and Hailee Steinfeld's craftsmanship of Nadine.

8/10

The Hunger Games: Mockingjay-Part 1 (2014) film review

Year: 2014
Running Time: 123 minutes
Director: Francis Lawrence
Writers: Suzanne Collins (based on the novel by), Peter Craig and Danny Strong (screenplay)
Cast: Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Philip Seymour Hoffman, Julianne Moore, Donald Sutherland, Elizabeth Banks, Woody Harrelson, Sam Claflin, Natalie Dormer, Jena Malone

The Hunger Games: Mockingjay- Part 1 will be released in Australian cinemas on November 20 and is distributed by Roadshow Films. To be released in the United States on November 21 and the United Kingdom November 20.

The Hunger Games: Mockingjay- Part 1 takes place in the days following the dramatic finale of The Hunger Games in which Katniss Everdeen (Jennifer Lawrence) was rescued and taken to the once thought destroyed, District 13. While Plutarch Heavensbee (Philip Seymour Hoffman) and President Alma Coin (Julianne Moore) expect Katniss to be grateful for her rescue, all she can think of is how Peeta (Josh Hutcherson) is now in The Capitol as a hostage and must be rescued. They inform her that they wish to make her the Mockingjay, the face of the rebellion against the Capitol to free the people of Panem. Katniss is hesitant at first, until she sees the destruction of her home, District 12 and agrees to become the Mockingjay with the condition that the victors being held hostage are brought to District 13.

Unlike the first two films in The Hunger Games franchise, Mockingjay- Part 1 has lacked the excitement and feeling of importance in the lead up that one feels it should possess to maintain the enthusiasm for the phenomenon. Making the final book in The Hunger Games trilogy written by Suzanne Collins into two separate films was always going to be problematic from a narrative and excitement point of view as it is only the half telling of the explosive final book. As the third but not final film in the series, the release of Mockingjay- Part 1 isn't as anticipated as the first and second films and without a doubt as the final film to be released late 2015 will be. The initial The Hunger Games film was highly anticipated as the popular and much loved novel was being introduced to the screen, as was Catching Fire because of the pressure to maintain the high standards set by the first film and the finale is always awaited for the obvious reasons.

What this has meant for the film is that it was going to have to be something truly special to prove that just because it is only half of the finale, it deserves as much love as every other film in the franchise. The verdict is that Mockingjay-Part 1 is a fine film, but still has the resonating feeling that it is a bridge rather than an island. It merely feels as though it is connecting Catching Fire and Mockingjay- Part 2 rather than it being a film that could stand alone if it wanted to. This was an inevitable problem of the final book being split into two and one that was always going to be an enormous challenge to overcome. However, it is easily recognised that Mockingjay would have either been incredibly rushed or at a running time of close to four hours had it been one film so the idea of having a two film finale cannot quickly be dismissed as a negative. Writers, Peter Craig and Danny Strong have done a fine job of fleshing out the right aspects of the book for the film and have left the story hanging promptly for the final film.

Mockingjay- Part 1 has a rather different feel to it than the first two films as Mockingjay is more about the aftermath of The Hunger Games rather than the games themselves.  The film gives an accurate depiction of the hardships inflicted on civilians by warfare and of the creation of hope in such times. The visuals of the destroyed District 8 and 12 are incredibly moving, but they are also a spectacular CGI creation. The action that ensues is brief, but well constructed and suspenseful. The film also does a wonderful job at demonstrating how hope is built in such a time, which includes an interesting insight into the creation of propaganda. The process can almost seem comical at times, but the end result is one of the utmost sincerity. The scene in which Katniss sings "The Hanging Tree" is a beautiful, peaceful moment in the film and the musical score throughout the whole film is quite beautiful.

In Jennifer Lawrence's third outing as Katniss Everdeen, she proves that she has not lost momentum with the character and that she is growing with her. From the opening moments of Mockingjay-Part 1, Lawrence once again gives a wonderful performance as a character who has trouble relating to most people as a result of the hardships she has been through and has incredibly complex internal battles taking place. It is a rather solemn and cheerless performance, which is exactly what the film calls for.

Mockingjay-Part 1 has an incredible cast and the majority do a wonderful job. Josh Hutcherson is on screen for a very short amount of time in comparison to his co-stars, but makes a great impact with the time he has. Liam Hemsworth, on the other hand, doesn't give much in his performance, which is surprising as he has a great deal to do in the film.

Elizabeth Banks as Effie Trinket gives a performance quite unlike that of the past Hunger Games films. As times have changed, Effie doesn't seem to be the same woman she was as she has been deprived of her luxurious clothes and make-up. However, Banks proves that it is not the clothes that make the character as she is still the complete embodiment of the eccentric Effie in manner and posture even when wearing the plainest of outfits. Natalie Dormer as Cressida becomes a character quite unlike those she has been known to play and proves her versatility as an actor.Donald Sutherland is the perfect brand of evil as President Snow and one looks forward to seeing a great deal more of him in Mockingjay-Part 2.

The Hunger Games: Mockingjay- Part 1 is placed in an interesting situation in relation to the other films in it's series. It's anticipation isn't as great as it's place and existence ensures that it will not be the strongest nor most entertaining film of the franchise, which is proven to be true. However, the subject material is fleshed out as much as it can be and what the film does well, it does very well.

7/10

The Hunger Games: Catching Fire (2013)

 

Year: 2013

Running Time: 146 minutes

Director: Francis Lawrence
Writers: Suzanne Collins (book), Simon Beaufoy and Michael Arndt (screenplay)
Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Elizabeth Banks, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Stanley Tucci, Lenny Kravitz, Willow Shields, Sam Claflin, Jena Malone

The Hunger Games: Catching Fire is now showing in Australian cinemas and is distributed by Roadshow Films. Opening in the UK on the 21st of November and in the USA on the 22nd of November 2013.

The Hunger Games: Catching Fire is without a doubt one of the most highly anticipated films of the year. Fans of "The Hunger Games" book trilogy by Suzanne Collins and 2012's The Hunger Games have been anxious to see whether Francis Lawrence's direction do the second instalment to The Hunger Games the justice it deserves.

Everyone can breathe a sigh of relief. Catching Fire is a wonderful follow up to the first film and in many ways actually better. Francis Lawrence has done a great job directing a very well adapted screenplay by Simon Beaufoy and Michael Arndt and has created a suspenseful and very emotional at times film. Jennifer Lawrence shines in her second venture as Katniss Everdeen and is surrounded by a number of intriguingly well-rounded characters.

After winning the 74th Hunger Games, District 12's victors, Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) are about the embark on their victor's tour of the districts. Although the two are still carrying on their love affair for the cameras in order to stay alive, Katniss is confused about whether she does have feelings for Peeta outside the arena, or if she is meant to be with her long time best friend, Gale (Liam Hemsworth). However, Katniss has more pressing matters than her love life at the present time. President Snow (Donald Sutherland) has his eye on her every move as his citizens see her as a beacon of hope and her actions have inched the districts closer to a rebellion. With the 75th Hunger Games approaching, Snow does the unthinkable and announces that the pool of tributes will consist of past Hunger Games victors, which means that Katniss is definitely heading back into the lethal world which haunts her dreams every night.

With an influx of young adult book series being made into films and not all of those adaptations praise-worthy, Catching Fire is in a class of it's own. Not only is it a wonderful adapted screenplay, but it is one of the rare second films that may well be better than the first. Lawrence was a perfect choice for director for the second film as he has brought out the best in his actors and by doing so has made the characters personalities stronger by showing their raw emotions in a more powerful way than what we saw in The Hunger Games.

A lot happens in Catching Fire's 146 minutes. Such a running time would normally seem like an eternity in a movie theatre, but every scene is essential and contributes to the greater picture. In addition to that, every scene is intriguing and creates some sort of emotion. There is also a great deal more tension and suspense leading up to the finale than in the first film. The ending is done absolutely perfectly as you feel you are at the very height of suspense, and it leaves you wanting more and wanting the third film, Mockingjay Part 1 to be released sooner rather than later. It is an incredible thing for a film to be two and a half hours long and to leave you wanting more.

There are a great deal of close-up camera shots of the characters throughout the film, particularly of Katniss. These close-ups allow the audience to grasp every bit of emotion the character is feeling and you are able to tell so much by looking closer. There are also some very fast camera movements whilst in the Hunger Games arena. Although these can be a tad dizzying at times, it feels as though they were employed to represent the mayhem that the Hunger Games arena creates and the sense of always being on the look out and on edge. The actual landscape shots of the Hunger Games arena are also quite stunning.

The centre and heart of the film is absolutely Jennifer Lawrence. From the very first shot, Lawrence is perfection. When we first see her sitting beside the lake, we understand so much just by looking at her. Just from seeing her facial expression, we can tell that she is psychologically exhausted and still very much recovering from her time in the arena. Her performance packs a bigger punch than that of the first film and is much more emotionally charged. She is truly brilliant and the perfect heroine. What is so great about her Katniss is that she is effortlessly strong and a beacon of hope by being the person she is. It would be so easy to seem corny when acting as a symbol of strength, but there is absolutely nothing corny about this performance at all. Lawrence is just a powerhouse from beginning to end and her last scene is a perfect example of this strength.

Josh Hutcherson does well as Peeta, and continues to be such a likable character. Liam Hemsworth has a greater role as Gale than in the first film, and he also does very well with what he has been given. Both Woody Harrelson and Elizabeth Banks, as Haymitch and Effie are both full of character and are a pleasure to watch. Donald Sutherland is particularly terrifying in such a subtle way, and it is the subtlety that makes him so unsettling as President Snow. Lenny Kravitz is an audience favourite as Cinna. His performance, like Sutherland's, is subtle rather than over the top, but his loyalty and love he shows for Katniss is so endearing. Jena Malone is also wonderful as tribute, Johanna Mason. Johanna was again a character that could have been made to seem corny, but Malone is so natural and real in this role and her obvious anger actually makes her very likable.

While Catching Fire is a wonderful film, it is still not a stand alone film and it is absolutely crucial that you see the first film before you see this one. That shouldn't come as a huge surprise as this is part of a trilogy, not a sequel so it can hardly be seen as a negative aspect of the film. For those who love The Hunger Games movie or books, there is no disappointment to be had here.

8.5/10



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Now You See Me (2013)



Year: 2013
Running Time: 115 minutes
Director: Louis Leterrier
Writers: Ed Solomon, Boaz Yakin and Edward Ricourt
Cast: Jess Eisenberg, Mark Ruffalo, Isla Fisher, Woody Harrelson, Michael Caine, Morgan Freeman, Dave Franco, Melanie Laurent

Now You See Me opens in Australian cinemas on the 8th of August 2013 and is distributed by Hopscotch Films.

Now You See Me is one incredibly creative, unpredictable and entertaining film with an amazing cast, but don't expect it to be particularly subtle or realistic at it's core.

Louis Leterrier's film promises an entertaining and fun time and is never for one moment slow or dull. It provides people with a completely unpredictable ending and constant guessing. However, it is a little over-extravagant at times and very farfetched, but the aim of the film is to entertain and it certainly does that. Now You See Me gives us an original film unlike any other we have seen this year or any other year and that is something to be appreciated.

The Four Horsemen magic/illusion group, featuring J. Daniel Atlas (Jesse Eisenberg), Henley Reeves (Isla Fisher), Merritt McKinney (Woody Harrelson) and Jack Wilder (Dave Franco) become an overnight sensation when during one of their magic tricks, they pick an audience member to rob a bank and distribute the money to all their audience members. FBI Agent Dylan Rhodes (Mark Ruffalo) is called in to find out how this group managed to rob a French bank during their show and with Agent Alma Gray (Melanie Laurent) must decide whether it really was magic that enabled The Four Horsemen to commit this crime or is there a Fifth Horseman?

Now You See Me will draw you in and start you guessing straight away. It is the type of rare film that has you fooled, just like everyone in the film. You think you know all the answers, but there is one answer you will be a very, very clever moviegoer to guess. It is a very clever film with a very unique concept. Magic and illusion are mysterious and mystical and as a subject matter to a film it promises the same. `

Now You See Me, like it's subject matter, has no problems entertaining, but it does seem like it tries a little too hard to astonish. The whole film seems like a Las Vegas show (again, like in the film), it is just a bit too over the top and elaborate. At times it tries a little too hard to be an amazing film and gets a bit lost in itself. The majority of the time it isn't too much of a problem as it is just great fun, but it does get to a point where you can almost scoff at how far removed from reality it can get. However, as a whole the film is just a really great piece of entertainment, but it shouldn't be looked at as anything more than that.

Therefore, as one could expect, the film is really quite a visual treat with plenty of confetti and spotlighting. It has it's stars well placed in every scene and many movements resemble a dance routine. Although it is not an action film, the car chase scene is pretty impressive.

Before one even see's Now You See Me, it is extremely hard not to be drawn in by the astonishing cast which has been assembled. The majority of the cast have somewhat easy roles to play (as opposed to other characters they have played in past films), but they all play their roles to the very best of their ability. Mark Ruffalo is the stand out of the film as he is so convincing and natural in his role and a great lead for the film. He has great on screen chemistry with Melanie Laurent, who is also very convincing in her role even though the side story and ending of the film for the two doesn't really add anything to the film. Woody Harrelson is also a lot of fun and quite comical in his role and Dave Franco shows his versatility as an actor by adding Now You See Me to his resume. Michael Caine and Morgan Freeman also work well together and by themselves.

As a whole, you may as well be watching a magic show when you are watching Now You See Me. It is overdone in many ways, but you enjoy the spectacle and the players and enjoy the thrill of the unknown.

7/10


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2012

2012
Year: 2009
Director: Roland Emmerich
Cast: John Cusack, Amanda Peet, Chiwetel Ejiofor, Danny Glover, Woody Harrelson, Oliver Platt

In My Own Words
When “2012” was announced, I groaned. Another world disaster movie. It doesn’t seem to be something Hollywood tires of very easily, or at all. The heroes, the villains, the special effects, the demolition of large cities….all pre-requisites for disaster movies. Today was the only day I could have gone and seen the movie as it requires a full three hours of your time, a reason many people will probably not go and see it. I caught the early session so it didn’t take up too much of my day off.

I was hoping this movie may pleasantly surprise me as I am a John Cusack fan. It wasn’t the worst movie ever, but when it comes down to it, wasn’t original at all. That will never score many points with movie-goers. As I said, wasn’t to worst movie that I’ve seen this year, it did have some good points, but its length and unoriginality do not make it a masterpiece by any means.

These are my own words and here is my review.

Review
The well known premonition of the world ending is the basis and just another reason to make the newest disaster movie “2012”. The film itself is like a tsunami, volcano, flood, and earthquake film rolled into one, with the 2 and a half hours to carry each one. There are some good points about this movie, but it is really what is to be expected from a film such as this. However, it is entertaining and is definitely worth seeing the film in the cinema for its special effects.

The movie begins in 2009 and shows how the world is preparing for the end of the world as we know it in 2012. However, the end is closer than people think, as discovered by Adrian Helmsley ( Chiwetel Ejiofor) , who alerts the American government. The protagonist of the story is California writer, Jackson Curtis (John Cusack) who has taken his two children to Yellowstone National Park, where they stumble upon a top secret government “hot spot” and he finds out about the 2012 conspiracy. He, his children and ex-wife (Amanda Peet) survive the demolition of his hometown by many close calls to try and join in the survival of the human race. As expected, the film contains loads of special effects, some which seem more realistic than others. This may have something to do with the unrealistic scenes in which the unrealistic special effects occur in. There are several times in the movie that the lead characters have near misses. One can believe one or two near misses to keep the suspense, but too many can lead to the audience rolling their eyes and sarcastically thinking “Wow, I did NOT see that one coming”. It is almost exhausting how many things happen in the film and how long the film is doesn’t make tit any better.

However, the acting in “2012” is really not too bad. Cusack gives a good performance, as does Ejiofor and Morgan Lily, who plays Lilly Curtis, gives a great performance at such a young age. Roland Emmerich’s direction and script is also commendable. There is great character development with the main characters and the audience does indeed connect with them. The role of Carl Anheuser, as played by Oliver Platt, is particularly unlikable and well played for this reason. It is proof that the characters are really forming a relationship with the audience when one feels such dislike towards one of them.

The film does have some good points, as pointed out, but its lack of original content does let it down.

5/10